fri 24/11/2017

Prokofiev

Proms 67 & 68 review: Freiburg Baroque, Heras-Casado / Mariinsky, Gergiev - reformation and revolution

Even tuning up, the multinational musicians of the Freiburg Baroque Orchestra make a lovely sound, well-anchored by the tug of four period-instrument cellos and three basses, yet buoyant and stippled with upper-wind colours, flutes circling and...

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Prom 30 review: Bournemouth SO, Karabits - pagan fire and thunder

A Prom of unrelenting momentum began promisingly with Beethoven, and the false start that opens his First Symphony. On this showing, Kirill Karabits has coached his Bournemouth musicians in the classical repertoire with a dash and flair that brings...

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Classical CDs Weekly: Prokofiev, Skempton, Walton

Prokofiev: Piano Concertos 1&3, Overture on Hebrew Themes Simon Trpčeski (piano), Royal Liverpool Philharmonic Orchestra/Vasily Petrenko (Onyx)Good recordings can make you notice things you've never heard before. Like this one: Simon Trpčeski’s...

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Jonathan Miles: St Petersburg review - culture and calamity

Talk about survival: St Petersburg, Petrograd, Leningrad, now again St Petersburg, all the same city, has it nailed down. It was founded through the mad enthusiasm, intelligence, determination and just off-the-scale energy of Peter the Great in 1703...

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Evgeny Kissin: Memoirs and Reflections review - Russian education, European conviction, Jewish heritage

"Generally speaking," writes Evgeny Kissin in one of the many generous tributes to those whose artistry he most admires, "the mastery of [Carlo Maria] Giulini is exactly what is dearest of all to me in art: simplicity, depth and spirituality". The...

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Koen Kessels: 'there's a joke in ballet we only have two tempi' - interview

Koen Kessels is on a mission to change the culture around music in ballet. Anyone who has heard the Belgian conduct will know that he is the right person for the job: Kessels makes the classic scores come alive in the pit like nobody else I’ve heard...

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theartsdesk Q&A: Soprano Aida Garifullina

There are certain roles where you’re lucky to catch one perfect incarnation in a lifetime. I thought I'd never see a soprano as Natasha in Prokofiev's War and Peace equal to Yelena Prokina, Valery Gergiev’s choice for Graham Vick’s 1991 production....

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Classical CDs Weekly: Laurence Crane, Martinů, Prokofiev

Laurence Crane: 6 Trios, 2 Solos and 1 Quintet The Ives Ensemble (RTF Classical)It's a rare pleasure to discover a contemporary composer whose work speaks with such effortless clarity. You'll know within a few seconds of Laurence Crane’s Trio for...

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Classical CDs Weekly: Prokofiev, Strauss, Weinberg

 Prokofiev: Piano Sonatas 2, 6 and 8 Alexander Melnikov (Harmonia Mundi)These three sonatas provide a neat overview of Prokofiev’s compositional career, 1912’s No 2 blending heady romanticism with smiling, percussive modernism. I’d not realised...

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Argerich, St Petersburg PO, Temirkanov, RFH

Yuri Temirkanov chose a shamelessly populist programme for the London leg of the St Petersburg Philharmonic tour. But Khachaturian, Prokofiev and Shostakovich are core repertoire for this orchestra, and ideal for showing off its many strengths. In...

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Classical CDs Weekly: Prokofiev, Daniel Röhn, Ayreheart

 Prokofiev: Romeo and Juliet (Complete) Oslo Philharmonic Orchestra / Vasily Petrenko (Lawo Classics)The three suites which Prokofiev extracted from his ballet Romeo and Juliet are skilfully put together, but they’re a poor substitute for the...

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Douglas, LSO, Søndergård, Barbican

Thomas Søndergård stood in for this concert at a day’s notice – Valery Gergiev is apparently recovering from a knee operation and unable to travel. He left behind a curious programme, centred around Prokofiev’s quirky but dour Sixth Symphony. It’s a...

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