thu 23/11/2017

police

Safe House, series 2, ITV review - the abduction and captivity show returns

Forget Christopher Eccleston and the Lake District. Two years on, Ed Whitmore’s ready-mix thriller Safe House returns with Stephen Moyer in Merseyside. He plays Tom Brook – not the venerable film critic (Talking Movies is still showing on BBC World...

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Top of the Lake: China Girl, BBC Two, series finale review - torpor not trauma

So who killed Cinnamon? Six weeks ago we saw the strangled sex-worker – packed in a pink suitcase – pushed into Bondi Bay. The finale of Top of the Lake: China Girl withheld enlightenment. Puss, the chief suspect, denied responsibility. Why would...

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Val McDermid: Insidious Intent review - dark and expert crime writing

Val McDermid has written close on 30 award-winning thrillers and suspense novels, in four series, since the late 1980s, all of them featuring a lead female protagonist. She herself worked as a journalist and a crime reporter, and the atmosphere is...

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Michael Connelly: The Late Show review - mesmerising and believable characters

Readers have been committed fans since 1992, when the sometime crime reporter Michael Connelly turned novelist. Connelly’s best-known sequence has featured, over three decades now, the Los Angeles Police Department (LAPD) detective Hieronymus Bosch...

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Three Girls, BBC One review - drama as shattering public enquiry

Television dramas about catastrophic events in broken Britain are meant to be cathartic. They knead the collated facts into the shape of drama for millions to absorb and understand. Then we all somehow move on, sadder but slightly wiser. The Murder...

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Born to Kill finale, Channel 4 review – a full-blown psychotic nightmare

Was it just a coincidence that budding serial killer Sam attended Ripley Heath High? Probably not. Born to Kill, written by Tracey Malone and Kate Ashfield, was keenly aware that it followed in the bloody footsteps of both real sociopaths such as...

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Midnight Sun finale review - 'terminal silliness, wholesale slaughter'

So here’s the thing: a heavily pregnant woman is hanging by her ankles above a raging torrent. Two teens, one with a broken arm, are stuck down a well. And 15 miners, deep below ground, take refuge from a fire in an emergency chamber, unaware it has...

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Line of Duty, Series 4 finale review - 'great acting, great writing'

Cop a load of that, then. Hana Reznikova is serving time for triple murder. Ted Hastings is on permanent gardening leave. The Huntleys have renewed their wedding vows on a family trip to Disneyworld. Just kidding. This is a Reg 15 alert to advise...

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Unforgettable review - forgettable film

Within seconds – literally seconds – of Unforgettable it becomes apparent that this is the kind of film that in the late Eighties and Nineties used to be referred to as “straight to video”, a label that covered a plethora of trashy, sexist, by-the-...

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Clash review - 'a nation in crisis'

An Egyptian/French co-production directed by Egyptian film-maker Mohamed Diab, Clash is a fevered, chaotic attempt to portray some of the tangled undercurrents that fuelled Egypt’s “Arab Spring” and its subsequent unravelling. Knowing something...

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Broadchurch review - the final reckoning

“Take your pick. Who shall we talk to first?” DI Alec Hardy (David Tennant) and DS Miller (Olivia Colman) had their three prime suspects waiting for them in custody. The fact that none of them proved to be the guilty party was what was wrong not...

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Maigret's Night at the Crossroads review - 'more straight faces from Rowan Atkinson'

We’re three films into Rowan Atkinson’s tenure as Inspector Maigret and so far he’s barely twitched a facial muscle. Gone are the eye bulges and nostril flares, the rubbery pouts. There’s sometimes a hint of a frown, the odd twinge in a wrinkle...

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