mon 21/08/2017

Mozart

Prom 26 review: Frang, Power, Deutsche Kammerphilharmonie Bremen, Järvi – fire and air from a crack team

Before reuniting us in high spirits with a pair of much-loved old friends, Mozart's Sinfonia Concertante and Brahms's Second Symphony, the Deutsche Kammerphilharmonie Bremen under Paavo Järvi at the Proms took us into a darker, and unexpectedly...

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La clemenza di Tito, Glyndebourne review - fine musical manoeuvres in the dark

So much light in the Glyndebourne production of Brett Dean's Hamlet; so much darkness in Mozart's La clemenza di Tito according to director Claus Guth. Something is irredeemably rotten in the state of ancient Rome, at odds with the fundamental...

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Robin Ticciati on conducting Mozart - 'I wanted to create a revolution in the minds of the players'

When Glyndebourne's Music Director Robin Ticciati conducts the Orchestra of the Age of Enlightenment in the new production of Mozart's La clemenza di Tito starting tonight, you can be sure that it will sound utterly fresh, startling even. As did...

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Le nozze di Figaro, Clonter Opera review - a wedding full of future stars

Clonter Opera is a finishing school for young opera performers, with its own well appointed theatre and professional administration and artistic direction, based on a farm in Cheshire near Jodrell Bank. It’s seen a succession of promising young post...

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Jette Parker Young Artists Summer Performance, Royal Opera review - vocal promise, poor stagecraft

They get to work with the best music and language coaches in the business. They make their mark in small parts throughout the Royal Opera season and showcase their art more prominently at the end of it, proving to the world that there are major...

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Prom 3: Faust, COE, Haitink - Europeans tread air under 88-year-old master

The message must be getting through. On the First Night of the Proms, Igor Levit played as encore Liszt's transcription of the great Beethoven melody appropriated as the European Anthem; in Prom 2, Daniel Barenboim unleashed his Staatskapelle Berlin...

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The Magic Flute, Longborough Festival review - sparkling and moving

About The Magic Flute there’s a certain amount of domestic theatre and a great deal of pantomime. It calls for fun, sentiment, movement, a measure of spectacle, and plenty of direct communication with the audience. But like the mechanicals’ play in...

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Buxton Festival review - early Verdi, earlier Mozart and refreshing Britten

“The subject is neither political nor religious; it is fantastical” wrote Verdi to the librettist Piave about his opera Macbeth. “The opera is not about the rise of a modern fascist: nor is it about political tyranny. It is a study in character”...

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Classical CDs Weekly: Peter Eötvös, London Conchord Ensemble, Kate Lindsey

Péter Eötvös: Paradise Reloaded (Lilith) Soloists, Hungarian Radio Symphony Orchestra/Gregory Vajda (BMC)Experiencing new operas on disc without seeing them performed means that any judgements have to be based on the music alone. Péter Eötvös’s...

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Mitridate, Re di Ponto, Royal Opera review - Crowe and costumes light up pointless revival

Why stage a stiff opera about half-frozen royals by a not-yet-divine Mozartino? The best Mitridate really deserves is one of those intimate concert performances with brilliant young singers at which Ian Page's Classical Opera excels. Yet this is the...

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theartsdesk at the Istanbul Music Festival: East and West in perfect balance

The time is out of joint for Turkey at the moment, but it’s still a country equally split between those looking to the west for the culture of ideas and the more conservative element which at least needs its voice respected. They co-exist peacefully...

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Chineke! Orchestra, Brighton Festival / Saleem Ashkar, Wigmore Hall

Anyone who missed the opening Southbank concerts of the Chinike! Orchestra, figurehead of a foundation which aims to give much-needed help to young Black and Minority Ethnic (BME) classical musicians, could and now can (on YouTube) catch snippets of...

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