wed 18/10/2017

Mozart

Uchida, SCO, Ticciati, Usher Hall, Edinburgh review - Berlioz steals the show

"Mitsuko Uchida plays Mozart" might have been the marketing tag to sell out this first concert in the Scottish Chamber Orchestra's 2017-18 season (despite student and free under-18s take-up, the Usher Hall still wasn't full). "Dvořák Symphony No. 8...

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Opera: Passion, Power and Politics, V&A review - seven cities, seven masterpieces

There's something here for everyone, as a "roll up!" slogan for one of the greatest shows in town might put it. Even opera buffs don't seem to have found much to fault with the cornucopia of sounds, moving pictures, objects, paintings, drawings and...

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Widmann, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - when Mirga met Jörg

Apparently it was Mirga Gražinytė-Tyla’s idea to invite Jörg Widmann to be the City of Birmingham Symphony Orchestra’s Artist in Residence this season – indeed, according to backstage rumours she made the phone call herself. If that’s true, it’s a...

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Goode, LPO, Jurowski, RFH review - tender Mozart, dynamic Bruckner

Richard Goode is one of the world’s great pianists, but you wouldn’t guess it from his humble and unpretentious stage manner. He wears thick glasses and squints into the music, and when he plays he sings along under his breath. When he is not...

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Bridgewater Hall 21st Birthday review - from voice and guitar to four pianos

Every 21st birthday deserves a party, and the Bridgewater Hall in Manchester celebrated the anniversary of its opening with a weekend of fun and "access" events, ending with a recital by four pianists on its four Steinway pianos – playing them all...

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Prom 74: Ax, Vienna Philharmonic, Tilson Thomas review - elegance without passion

The Vienna Philharmonic makes a beautiful sound, no question about that: the question is what to do with it. Michael Tilson Thomas has some ideas, but they are mostly low-key. He is currently touring with the orchestra, and seems to have been chosen...

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Imagine... Alma Deutscher: Finding Cinderella, BBC One review - beguiling profile of a musical prodigy

Morag Tinto’s documentary is a profile of composer Alma Deutscher, who hit the headlines at the end of last year when her opera based on the Cinderella story premiered in Vienna. What’s unusual about that, you might ask? Apart from being female,...

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theartsdesk in Estonia and Latvia - Pärnu Music Festival's great orchestra goes south

For the first time ever Paavo Järvi has been showing other nations why the Estonian Festival Orchestra is among the world's best – travelling to other Nordic countries after their annual gathering in Estonia’s summer capital of Pärnu, with the big...

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Prom 26 review: Frang, Power, Deutsche Kammerphilharmonie Bremen, Järvi – fire and air from a crack team

Before reuniting us in high spirits with a pair of much-loved old friends, Mozart's Sinfonia Concertante and Brahms's Second Symphony, the Deutsche Kammerphilharmonie Bremen under Paavo Järvi at the Proms took us into a darker, and unexpectedly...

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La clemenza di Tito, Glyndebourne review - fine musical manoeuvres in the dark

So much light in the Glyndebourne production of Brett Dean's Hamlet; so much darkness in Mozart's La clemenza di Tito according to director Claus Guth. Something is irredeemably rotten in the state of ancient Rome, at odds with the fundamental...

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Robin Ticciati on conducting Mozart - 'I wanted to create a revolution in the minds of the players'

When Glyndebourne's Music Director Robin Ticciati conducts the Orchestra of the Age of Enlightenment in the new production of Mozart's La clemenza di Tito starting tonight, you can be sure that it will sound utterly fresh, startling even. As did...

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Le nozze di Figaro, Clonter Opera review - a wedding full of future stars

Clonter Opera is a finishing school for young opera performers, with its own well appointed theatre and professional administration and artistic direction, based on a farm in Cheshire near Jodrell Bank. It’s seen a succession of promising young post...

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