mon 25/09/2017

Dvořák

Prom 70 review: Denk, BBCSO, Canellakis - high, lucid and bright

It can’t be too long before “women” no longer needs to prefix “conductors” to define what’s still a rare breed. Yet seven at the Proms is certainly an improvement, with many more coming up through the ranks. And American Karina Canellakis turned out...

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Proms at... & Prom 56 reviews: Multi-Story Orchestra / BBCSO, Hrůša - the best of all possible worlds

There we had it, in one extraordinary Proms day: the brave new world of contemporary classical music for all in a repurposed Peckham car park followed by the consolidation of the old order in all-Czech programming of remarkable originality and...

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'You are my hero, dear Jiří': Karita Mattila and others remember Jiří Bělohlávek

The first of Jiří Bělohlávek’s final three appearances in London, conducting his Czech Philharmonic in a concert performance of Janáček’s Jenůfa, came as a shock. The trademark grey curly hair had vanished. Clearly he had undergone chemotherapy, but...

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Dvořák Requiem, BBC Symphony Chorus and Orchestra, Bělohlávek, Barbican

Not your usual blockbuster for Holy Week, this. In other words, neither of the Bach Passions but a Requiem, and not – these days, at any rate – one of the more often-performed ones (it's not among the 79 works listed in The BBC Proms Guide...

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theartsdesk Q&A: Conductor Jakub Hrůša

Only four flutes were on stage at the start of Jakub Hrůša’s latest concert with the Bamberg Symphony Orchestra, the reins of which he took over from Jonathan Nott last September. Charles Ives would have been amazed to hear his “Voices of Druids” on...

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theartsdesk at the D-Marin Festival: Turkish poetry in music, Bach at sunrise

Istanbul six weeks before the failed coup, the south-west coast of Turkey six weeks after: what's the difference? None that I could see; once past the Turkish Airlines flights, with literature and screen full of the "People's Victory", there was no...

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Prom 25: Gerhardt, Komlósi, Relyea, RPO, Dutoit

"Let the song speak, I pray," exhorts the Bard in the Prologue to Duke Bluebeard’s Castle, "Listen in silence." This was a night for leaning in and listening closely, despite the large forces arrayed on stage for Dvořák’s Cello Concerto and Bartók’s...

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Cottier Chamber Project 2016, Glasgow

It should have been a complete disaster. Not announcing your festival’s programme until barely a week before it started ought to have guaranteed that nobody knew about it – no press, no audiences, other plans made, other things booked.But still they...

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St Ludmila, Hallé, Elder, Bridgewater Hall, Manchester

The Victorians liked their oratorios long and loud (most of the time), and when Dvořák wrote St Ludmila for the Leeds Festival of 1886 he got the style exactly right. Sir Mark Elder brought his and the Hallé’s celebration of Dvořák to a thunderous...

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Q&A Special: Sir Mark Elder on Dvořák

This May the Hallé is celebrating Dvořák. The orchestra’s music director Sir Mark Elder has previously mounted a festival of the Czech composer’s work in Chicago, but now brings him home to Manchester. Nature, Life and Love features seven concerts...

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Rusalka, Scottish Opera

For the gentleman next to me in the Festival Theatre, this was his second outing to see Rusalka. At the production premiere earlier this month in Glasgow, he had been “blown away” by Dvořák's lyric masterpiece. Given half a chance, I would go back...

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Capuçon, RPO, Dutoit, Royal Festival Hall

Charles Dutoit gets the best from the Royal Philharmonic. He conducts with broad, sweeping gestures, and the orchestra responds with dramatic immediacy and vivid colours. This concert’s programme was well chosen to play to their shared strengths,...

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