fri 09/12/2016

choreographers

Wayne McGregor triple bill, Royal Ballet

"My mission is to create new dance with new music and new design that is intimately plugged in to the world we live in today. I am motivated to make contemporary work that speaks of now and that is totally present-tense," Wayne McGregor explains in...

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Anastasia, Royal Ballet

The reception of Kenneth MacMillan's ballet Anastasia has some similarities with that accorded the Berlin asylum patient who some believed to be the lost Romanov Grand Duchess. For supporters who wanted to believe in the fairytale, Anna Anderson's...

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Betroffenheit, Sadler's Wells/Ballet BC, Birmingham Hippodrome

I could tell you what the German word "Betroffenheit" means by giving a dictionary definition, etymology and connotations and so on. But I won't, because this dance-drama hybrid by Jonathan Young and Crystal Pite is precisely not about pinning down...

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BalletBoyz, Life, Sadler's Wells

Hearing that both Javier de Frutos and rabbit heads appear in the new BalletBoyz bill might give you pause. A choreographer so unafraid of graphic content that he started his career with naked one-man shows, and later made a piece about the Pope so...

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Preview: International Dance Festival Birmingham 2016

International Dance Festival Birmingham (IDFB) is one of the unsung heroes not just of dance in Britain, but of festivals. It treats anyone within striking distance of the West Midlands to an exciting range of performers and public dance events over...

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theartsdesk in Berlin: Three Ballets

In London, seeing the same ballet company do three different pieces in three different theatres over four nights would be some kind of festival. In Berlin, it's just business as usual – albeit quite a busy week! – for the hard-working Staatsballett...

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Kaash, Akram Khan Company, Sadler's Wells

This new run of Kaash is an interesting test case for Akram Khan Company as its eponymous founder approaches his retirement from stage performance (forecast for next year). Kaash was Khan's first full-length work, created in 2002 and widely...

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10 Questions for Choreographer Matthew Bourne

Choreographers are not generally household names, but Matthew Bourne must come close. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal...

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"...como el musguito...", Pina Bausch, Sadler's Wells

Sitting near the front at a Pina Bausch piece always provokes anxiety. As my neighbour in the fourth row remarked, "at best, we'll get offered a cup of tea; at worst, anything might happen." Fortunately for those of a nervous disposition, ...como el...

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Rhapsody/The Two Pigeons, Royal Ballet

Perhaps the director of the Royal Ballet is a pigeon fancier? With this January run of The Two Pigeons following hard on the heels of one in November, the Royal Ballet's dancers have spent most of the autumn and winter practising the fluttering,...

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Until the Lions, Akram Khan, Roundhouse

As its first gift to dance fans, the new year has delivered not one but two chamber pieces about extraordinary women. Down in Covent Garden this week, Will Tuckett's Elizabeth for Royal Ballet dancers is exploring the life and loves of Queen...

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Cinderella, Scottish Ballet, Edinburgh Festival Theatre

When producing Cinderella, the main question is: sweet or sour?  That Prokofiev score is splendid, but it's no walk in a candy shop; in Act I the stepsisters have passages so scraping, spiky and dissonant that sugar-coating would seem to be out...

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