wed 27/07/2016

choreographers

Betroffenheit, Sadler's Wells/Ballet BC, Birmingham Hippodrome

I could tell you what the German word "Betroffenheit" means by giving a dictionary definition, etymology and connotations and so on. But I won't, because this dance-drama hybrid by Jonathan Young and Crystal Pite is precisely not about pinning down...

Read more...

BalletBoyz, Life, Sadler's Wells

Hearing that both Javier de Frutos and rabbit heads appear in the new BalletBoyz bill might give you pause. A choreographer so unafraid of graphic content that he started his career with naked one-man shows, and later made a piece about the Pope so...

Read more...

Preview: International Dance Festival Birmingham 2016

International Dance Festival Birmingham (IDFB) is one of the unsung heroes not just of dance in Britain, but of festivals. It treats anyone within striking distance of the West Midlands to an exciting range of performers and public dance events over...

Read more...

theartsdesk in Berlin: Three Ballets

In London, seeing the same ballet company do three different pieces in three different theatres over four nights would be some kind of festival. In Berlin, it's just business as usual – albeit quite a busy week! – for the hard-working Staatsballett...

Read more...

Kaash, Akram Khan Company, Sadler's Wells

This new run of Kaash is an interesting test case for Akram Khan Company as its eponymous founder approaches his retirement from stage performance (forecast for next year). Kaash was Khan's first full-length work, created in 2002 and widely...

Read more...

10 Questions for Choreographer Matthew Bourne

Choreographers are not generally household names, but Matthew Bourne must come close. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal...

Read more...

"...como el musguito...", Pina Bausch, Sadler's Wells

Sitting near the front at a Pina Bausch piece always provokes anxiety. As my neighbour in the fourth row remarked, "at best, we'll get offered a cup of tea; at worst, anything might happen." Fortunately for those of a nervous disposition, ...como el...

Read more...

Rhapsody/The Two Pigeons, Royal Ballet

Perhaps the director of the Royal Ballet is a pigeon fancier? With this January run of The Two Pigeons following hard on the heels of one in November, the Royal Ballet's dancers have spent most of the autumn and winter practising the fluttering,...

Read more...

Until the Lions, Akram Khan, Roundhouse

As its first gift to dance fans, the new year has delivered not one but two chamber pieces about extraordinary women. Down in Covent Garden this week, Will Tuckett's Elizabeth for Royal Ballet dancers is exploring the life and loves of Queen...

Read more...

Cinderella, Scottish Ballet, Edinburgh Festival Theatre

When producing Cinderella, the main question is: sweet or sour?  That Prokofiev score is splendid, but it's no walk in a candy shop; in Act I the stepsisters have passages so scraping, spiky and dissonant that sugar-coating would seem to be out...

Read more...

Best of 2015: Dance & Ballet

It was business as usual in the British dance world in 2015. Looking back over the year, theartsdesk's dance critics see the industry's many talented, capable people continuing to do their jobs well, but we don't recall being shaken, stirred or...

Read more...

Conceal|Reveal, Sadler's Wells

Any partnership that lasts for 20 years deserves a party, and last night at Sadler's was a celebration of the wonderfully fruitful working relationship between choreographer Russell Maliphant and lighting designer Michael Hulls. Both clinking with...

Read more...
Syndicate content