mon 19/02/2018

childhood

Early Man review - delight for football fans and kids alike

Nick Park’s utterly charming new animation channels the spirits of so many cinema and comedy ghosts that its originality can be overlooked – but it shouldn’t be. This is a fresh narrative in an era where films aimed at young audiences are dominated...

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Little Women, BBC One review - life during wartime with the March sisters

One of the much-hyped jewels in the crown of the family-friendly BBC holiday season is this new three-episode adaptation of Louisa May Alcott's much loved novel by Heidi Thomas, the writer of Call the Midwife. We started in the New England winter –...

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Pinocchio, National Theatre review - boy puppet lifts off, eventually

From Nicholas Hytner and Alan Bennett’s wonderfully nostalgic version of The Wind in the Willows through Coram Boy, the international smash hit War Horse and beyond, the National Theatre has a startling track record in turning what used to be...

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Winnie-the-Pooh: Exploring a Classic, V&A review - nostalgic family fun

What was it about the privileged male Victorian/Edwardian British writer that led to such a fantastical outpouring of books for children that were to embed themselves so thoroughly that they have stayed with their readers into adulthood? All when...

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The Box of Delights, Wilton's Music Hall review - children's classic novel transferred to stage

Theatreland is currently awash with pantomimes and rehashes of A Christmas Carol, so all credit to this ambitious new production, an adaptation of the 1935 children’s book, The Box of Delights. Long before Narnia, poet laureate John Masefield...

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Wonder review - sweet and smart but sometimes also schmaltzy

Genuine emotion does battle with gerrymandered feeling in Wonder, which at least proves that the young star of Room, Jacob Tremblay, is no one-film wonder himself. Playing a pre-teen Brooklynite who yearns to be seen as more than the facial...

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Everybody's Talking About Jamie, Apollo Theatre review - inclusive and utterly joyful

Everybody’s been talking about Everybody’s Talking About Jamie since its Sheffield Crucible debut earlier this year. It’s unusual to see a musical come steaming into the West End based on word on mouth – not star casting, or association with an...

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Heartstone review - huge visuals, close-up performances

Icelandic writer-director Gudmundur Arnar Gudmundsson has made an impressive feature debut with this story of crossing the threshold from childhood to young adult experience. Heartstone acutely and empathetically catches the path from innocence to...

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Philip Pullman: La Belle Sauvage review - not quite equal

La Belle Sauvage, the first instalment of Philip Pullman’s eagerly-awaited new trilogy The Book of Dust, opens in the Trout, a rambling Thames-side pub on the outskirts of Port Meadow, north of Oxford. Here all kinds drink: scholars, labourers,...

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Hansel and Gretel, Pop-Up Opera review - salty-sweet production takes wry pleasure in classic fairytale

They’ve done it in a boat and a barn, a former poorhouse and even a tunnel shaft, and now Pop-Up Opera bring their latest production to a museum. Bethnal Green’s 19th-century Museum of Childhood provides an evocative frame for Engelbert Humperdinck’...

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DVD: Centre of My World

Director Jakob M Erwa's Centre of My World may be a coming-of-age story, but it’s definitely not a “coming out” one. Youthful hero Phil (Louis Hofmann) has barely reached the third sentence of his voiceover narration before he tells us he’s gay, and...

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The Glass Castle review - Woody steals the film by a wide margin

People who live in glass castles might be wary of throwing stones. That clearly was not the case with American magazine journalist Jeannette Walls, who made of her often harrowing childhood a best-selling memoir that has found its inevitable way to...

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