Les Parents Terribles, Trafalgar Studios | reviews, news & interviews
Les Parents Terribles, Trafalgar Studios
Les Parents Terribles, Trafalgar Studios
Cocteau's opium-fuelled farce is given full throttle by Frances Barber and co
Monday, 29 November 2010
Smotherly love: Frances Barber and Tom Byam ShawAlastair Muir
This is the final production in the Donmar Warehouse’s 12-week season at Trafalgar Studios (which showcases the work of its resident assistant directors) and is a revival of Jeremy Sams’s translation of Jean Cocteau’s play - first seen in Sean Mathias’s acclaimed production at the National Theatre in 1994, with a cast that included Jude Law, Alan Howard and Sheila Gish.
This is the final production in the Donmar Warehouse’s 12-week season at Trafalgar Studios (which showcases the work of its resident assistant directors) and is a revival of Jeremy Sams’s translation of Jean Cocteau’s play - first seen in Sean Mathias’s acclaimed production at the National Theatre in 1994, with a cast that included Jude Law, Alan Howard and Sheila Gish.
There’s an awful lot of emoting occurring here (Barber certainly gives it full choke) and never has a chaise longue seen so much action
Share this article
more Theatre
MJ the Musical, Prince Edward Theatre review - glitzy jukebox musical with a superb star but a void inside
It's a great song and dance evening, but the story is an empty one
The Dream of a Ridiculous Man, Marylebone Theatre review - from Russia with love
Greg Hicks shines as Dostoevsky’s defiantly optimistic dreamer
First Person: author-turned-actor Lydia Higman on a play that foregrounds a slice of forgotten history
'Gunter' co-creator and historian connects a 1604 witch hit to the world today
Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemen
Infamous neo-Nazi brought to life in compelling drama
First person: playwright Paul Grellong on keeping pace with American politics
The author of 'Power of Sail' sets the scene for his play's UK premiere
Faith Healer, Lyric Hammersmith review - Brian Friel's masterpiece works its magic again
Director Rachel O'Riordan finds lighter moments in a tale of grief
Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer
Focused on young life in south London, this hit is as energetic and joyful as ever
WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else
THISISPOPBABY serves up a joyous tapestry of Ireland contemporary and traditional
Harry Clarke, Ambassadors Theatre review - an entertaining curio
Billy Crudup essays multiple characters as a fake Englishman abroad
Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice
Trevor Nunn, age 84, makes a blinding return to form
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Garrick Theatre review - exhilarating, moving show makes West End return
Ryan Calais Cameron brilliantly uses storytelling, music and verse
The Lonely Londoners, Jermyn Street Theatre review - evocative portrait of the migrant experience
Roy Williams and Ebenezer Bamgboye skilfully bring Sam Selvon's novel to the stage
Add comment