“My Ice Queen” immediately makes its case. A mid-to-low tempo chugging rhythm underpins choppy guitar, a contemplative, distant vocal and a general air of disassociation. Brief sections of the song feature – albeit muted – guitar mangling and feedback. The lyrics tell of a “heartbreak machine, coolest girl you’ve ever seen.” Icy? Absolutely.Then take the similarly restrained “Life Goes on,” so hazy a rumination it seems to have materialised from the mists enveloping Venus. Image It isn’t all so crepuscular. “Song For John” – seemingly an Read more ...

Image By the time Marina Diamandis reaches “Cuntissimo”, Birmingham’s O2 Academy is a sing-along sauna. We’re squeezed in like rice in vine leaves, drenched in human juice. Attempts to dance are restricted to meagre hip wiggles and hands waved above the head. No-one seems to care. The outrageous, pop-ballistic single of last year hits the desired chord. “Your ex is hitting you up,” Marina sings, and holds the mic towards us all. “BUT YOU NO LONGER GIVE A FUCK!” the place roars as one.Marina is that curiosity, a cult female star making pop Read more ...

In a cultural world with no frontiers, French-Lebanese trumpeter Ibrahim Maalouf has a musical CV that ranges very widely: collaborations with Angélique Kidjo, Sting, Quincy Jones, Amadou et Mariam, Archie Shepp and countless others. While rooted in Lebanese and Arab tradition, he moves with ease through jazz, rock, hip-hop and other genres. His new album, Vol 2 of the Michel-Ange project dedicated to his trumpet-playing father Nassim whom he revered as a kind of musical Michelangelo, is once again focused on a contagiously festive brass sound, part-Balkan Roma, part-Herb Albert and the Read more ...

The Ryland Caravan Festival is an annual festival put together by local musical eccentrics, Independent Country, and held in the outside amphitheatre at the Midlands Arts Centre (MAC) in Birmingham’s Cannon Hill Park. As it is takes place just as spring becomes summer, the elements can obviously be a bit temperamental – with punters being just as likely to have to deal with sunstroke as trench foot – but with the bar of the MAC within spitting distance, there’s always protection from whatever the unpredictable weather might produce with a bit of added alcoholic support.The MAC’s amphitheatre Read more ...

As Metallica have long known, Ennio Morricone's Ecstasy of Gold is a rousing choice of walk on music. Deadletter might not be playing the stadiums the metal giants ply their trade in, but strolling on to a near pitch black stage with music from The Good, The Bad and The Ugly booming out was a nicely theatrical opening.The group themselves might have wished for a Clint Eastwood style lawman at points this year. While 2026 has marked the arrival of second album “Existence Is Bliss”, it also saw the theft on tour of thousands of pounds worth of equipment and gear from the Yorkshire six-piece, a Read more ...

I watched a video online recently of a three-year-old girl being quizzed with questions about her mom (adorable). It was a Mother’s Day video set up by her father who was speaking just out of frame. Some of the questions were answered with precision. "What's your mom's name?" was met with her mother's actual name. When the stakes rose and it came time for her middle and last name, the answers provided were "mommy" and "mom", respectively. I delighted in this video for many reasons. Among them was that it was very relatable. It reminded me of how comfortable we get with the people closest Read more ...

Back when One Direction alumnus Niall Horan released his second album, Heartbreak Weather, in 2020, songs such as “Nice to Meet Ya”, “Arms of a Stranger” and “Small Talk” hinted that new sonic adventures might be opening. Not in the vanguard sense of, say, St Vincent or FKA Twigs, but hints of envelope-pushing, nonetheless. These did not lead anywhere and, now up to album number four, he’s settled to a very 2026 gumbo that melds 1970s West Coast soft rock/yacht rock with a pinch of indie edge, but without the tunes to match his own poppiest (such as the contagiously joyful, if saccharine, “ Read more ...

Lizzo used to be fun. For a long time, the now 38-year-old singer-songwriter emitted a vibrant energy but that has lately seeped out of her music. This may be down to any of a litany of reasons that span her musical and personal life, but the result is the same regardless: Bitch is a deeply uninspired album.  Her lyrics, which used to be full of interesting turns of phrase, if occasionally corny or overwrought, are now flat repetitions of previous work. Proclamations of self-love on “That Grrrl” are just recycled phrases from her number one single “About Damn Time” and “Bitch” is just “ Read more ...

The concept of political rap has always been a slippery fish. Even as hip hop first hit the mainstream, there was a myth perpetuated by well-meaning cheerleaders that it was a form of protest music first and for partying second – and this is an assumption that then metastasised into received opinion among critics and rock-centric audiences that worthy, angry rap was more authentic and had more value, than anything fun. This is, of course, patronising, silly, and a false dichotomy. It’s a distortion of an entire, vast, culture which has all too often led to mediocre talents (Michael Franti), Read more ...

Whereas the more venerable European jazz festivals, founded from the 1960s onwards, are typically faced with challenges of mid- or later life, Montrachet Jazz is a newcomer and is different. 2026 was just its second edition, but its early steps are bold and impressive. Not only is a very clever artistic vision already in place, but it is also one which authentically complements and enhances the unique magic of its setting.Location is everything, and truly there is no place like Puligny-Montrachet. For lovers of dry white wine, this is, literally, hallowed ground. The village is within Read more ...

A new album from Evanescence doesn’t come around all that often. But when they do, they are always worth at least a pause and cursory listen: their reputation precedes them ever since their seminal hit “Bring Me To Life” first took over the airwaves in the early noughties.In the years since and across their five previous albums, their dramatic blend of modern Nu Metal stylings with symphonic melodies is an often-captivating premise that is hard to come by elsewhere. Best embodied by Amy Lee’s signature vocals and lyrics, they have an uncanny knack at tying up varied textures and influences Read more ...

“Pruning, pruning, pruning, pruning, pruning” declaims a suited and booted Robin Dallaway into his microphone on stage at Birmingham’s Castle and Falcon on Sunday night, and it’s as if time falls away back to the mid-1980s. Suddenly, it’s a Friday evening. The Tube is on Channel 4 and an exceedingly strange black and white film that has been especially commissioned by the show is introduced by Max Headroom. “The Bushes Scream While My Daddy Prunes” bursts forth as bells chime and a brain-scrambling groove takes hold, while suburbia is transformed into a very odd place indeed.The Very Things Read more ...