Theatre
An Actor Convalescing in Devon, Hampstead Theatre review - old school actor tells old school storiesWednesday, 17 April 2024
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (is it even Gen Z, or were they last year, Daddio?) can leave one baffled or wondering whose gripe is it anyway.... Read more... |
Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knightMonday, 15 April 2024
Shakespeare’s plays have ever been meat for masher-uppers, from the bowdlerising Victorians to the modern filmed-theatre cycles of Ivo Van Hove. And Sir John Falstaff, as Orson Welles proved in Chimes at Midnight, can be the star of his very own... Read more... |
London Tide, National Theatre review - haunting moody river bluesSaturday, 20 April 2024
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this description, by Charles Dickens in his 1865 novel, Our Mutual Friend, of his character Sloppy’s ability to read... Read more... |
Machinal, The Old Vic review - note-perfect pity and terrorFriday, 19 April 2024
Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s Machinal. It hits hard as a 1920s mechanical symphony with a lyrical slow movement and words/cliches used... Read more... |
The Comeuppance, Almeida Theatre review - remembering high-school high jinksTuesday, 16 April 2024
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American playwright Branden Jacobs-Jenkins’s The Comeuppance might, just might, lead me to reflect on the wisdom of revisiting the... Read more... |
Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough dramaTuesday, 16 April 2024
History is very present in Philippa Gregory’s new play about Richard III. Literally - History is a character, played by Tom Kanji. He strides around in a pale trenchcoat, at first rather too glib and pleased with himself, but quickly sucked into the... Read more... |
Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in careThursday, 11 April 2024
"In care". It’s a phrase that, if it penetrates our minds at all, usually leads to distressing tabloid stories of children losing their lives at the hands of abusive parents (“Why oh why wasn’t this child in care?”) or of loving parents separated... Read more... |
Gunter, Royal Court review - jolly tale of witchcraft and misogynyTuesday, 09 April 2024
Many an Edinburgh Fringe transfer has struggled when it moves to the big city, but the Dirty Hare company’s Gunter, sensibly embedded in the Royal Court’s intimate Upstairs space, has settled in nicely, thanks.Originally staged at the best Fringe... Read more... |
First Person: actor Paul Jesson on survival, strength, and the healing potential of artMonday, 08 April 2024
In September 2022 I had an email from my American friend Richard Nelson: "Would you like me to write you a play?" Such an offer probably comes the way of very few actors and I was bowled over by it. My astonished and grateful response was tempered... Read more... |
Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalryFriday, 05 April 2024
The Brontë sisters and their ne'er-do-well brother will always make good copy. The brilliance of the women constrained by life in a Yorkshire parsonage contrasts dramatically with the wild moors around their home, while their early deaths lend... Read more... |
Long Day's Journey Into Night, Wyndham's Theatre review - O'Neill masterwork is once again driven by its MaryWednesday, 03 April 2024
Memory is a confounding thing. By way of proof, just ask the Mary Tyrone who is being given unforgettable life by Patricia Clarkson in London's latest version of Long Day's Journey into Night, which has arrived on the West End (and at the same... Read more... |
Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarreTuesday, 02 April 2024
Is there a more purely likeable actress than Sheridan Smith, the performer who was still a teenager when she stole the show at the Donmar in Into the Woods and who managed, as Elle Woods in the West End premiere of Legally Blonde, to bring... Read more... |
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