The Seckerson Tapes: Edward Gardner Interview | reviews, news & interviews
The Seckerson Tapes: Edward Gardner Interview
The Seckerson Tapes: Edward Gardner Interview
The English National Opera's whizz-kid chief conductor speaks
Sunday, 20 June 2010
Edward Gardner is no longer English National Opera's best kept secret. The former choral scholar and repetiteur goes from strength to strength helming ENO through productive and interesting times. The world's stages are now beckoning. During a break in final rehearsals for Mozart's great opera seria Idomeneo in a new production from multi-media queen Katie Mitchell he talks informally about what being music director of a company like this entails.
Edward Gardner is no longer English National Opera's best kept secret. The former choral scholar and repetiteur goes from strength to strength helming ENO through productive and interesting times. The world's stages are now beckoning. During a break in final rehearsals for Mozart's great opera seria Idomeneo in a new production from multi-media queen Katie Mitchell he talks informally about what being music director of a company like this entails.
more Opera
Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester review - thrilling, magnificent exploration
Verdi’s original version of the opera brought to exciting life
Aci by the River, London Handel Festival, Trinity Buoy Wharf Lighthouse review - myths for the #MeToo age
Star singers shine in a Handel rarity
Carmen, Royal Opera review - strong women, no sexual chemistry and little stage focus
Damiano Michieletto's new production of Bizet’s masterpiece is surprisingly invertebrate
La scala di seta, RNCM review - going heavy on the absinthe?
Rossini’s one-acter helps young performers find their talents to amuse
Death In Venice, Welsh National Opera review - breathtaking Britten
Sublime Olivia Fuchs production of a great operatic swansong
Salome, Irish National Opera review - imaginatively charted journey to the abyss
Sinéad Campbell Wallace's corrupted princess stuns in Bruno Ravella's production
Jenůfa, English National Opera review - searing new cast in precise revival
Jennifer Davis and Susan Bullock pull out all the stops in Janáček's moving masterpiece
theartsdesk in Strasbourg: crossing the frontiers
'Lohengrin' marks a remarkable singer's arrival on Planet Wagner
Giant, Linbury Theatre review - a vision fully realised
Sarah Angliss serves a haunting meditation on the strange meeting of giant and surgeon
Der fliegende Holländer, Royal Opera review - compellingly lucid with an austere visual beauty
Bryn Terfel's Dutchman is a subtly vampiric figure in this otherworldly interpretation
The Magic Flute, English National Opera review - return of an enchanted evening
Simon McBurney's dark pantomime casts its spell again
Così fan tutte, Welsh National Opera review - relevance reduced to irrelevance
School for lovers not much help to the singers
Add comment