Podcast: Turandot, ENO | reviews, news & interviews
Podcast: Turandot, ENO
Podcast: Turandot, ENO
Listen to the team behind the new production
Saturday, 19 September 2009
The first in a series of podcasts in which the writer, broadcaster and former presenter of BBC Radio 3's Stage and Screen Edward Seckerson interviews the leading lights of opera and classical music. Here, the team behind English National Opera's new production of Puccini's Turandot which premieres next month.
The first in a series of podcasts in which the writer, broadcaster and former presenter of BBC Radio 3's Stage and Screen Edward Seckerson interviews the leading lights of opera and classical music. Here, the team behind English National Opera's new production of Puccini's Turandot which premieres next month.
more Opera
Aci by the River, London Handel Festival, Trinity Buoy Wharf Lighthouse review - myths for the #MeToo age
Star singers shine in a Handel rarity
Carmen, Royal Opera review - strong women, no sexual chemistry and little stage focus
Damiano Michieletto's new production of Bizet’s masterpiece is surprisingly invertebrate
La scala di seta, RNCM review - going heavy on the absinthe?
Rossini’s one-acter helps young performers find their talents to amuse
Death In Venice, Welsh National Opera review - breathtaking Britten
Sublime Olivia Fuchs production of a great operatic swansong
Salome, Irish National Opera review - imaginatively charted journey to the abyss
Sinéad Campbell Wallace's corrupted princess stuns in Bruno Ravella's production
Jenůfa, English National Opera review - searing new cast in precise revival
Jennifer Davis and Susan Bullock pull out all the stops in Janáček's moving masterpiece
theartsdesk in Strasbourg: crossing the frontiers
'Lohengrin' marks a remarkable singer's arrival on Planet Wagner
Giant, Linbury Theatre review - a vision fully realised
Sarah Angliss serves a haunting meditation on the strange meeting of giant and surgeon
Der fliegende Holländer, Royal Opera review - compellingly lucid with an austere visual beauty
Bryn Terfel's Dutchman is a subtly vampiric figure in this otherworldly interpretation
The Magic Flute, English National Opera review - return of an enchanted evening
Simon McBurney's dark pantomime casts its spell again
Così fan tutte, Welsh National Opera review - relevance reduced to irrelevance
School for lovers not much help to the singers
Manon Lescaut, English Touring Opera review - a nightmare in too many ways
Grotesque staging sabotages Puccini's breakthrough tragedy
Add comment