Reissue CDs Weekly: Ride, Juliette Gréco, Krzysztof Komeda, Priscilla Paris | New music reviews, news & interviews
Reissue CDs Weekly: Ride, Juliette Gréco, Krzysztof Komeda, Priscilla Paris
Creation Records' highlight, skimpily packaged chanson, early Polish jazz and rescued recordings from a Sixties great
When Oxfordshire’s Ride arrived in the shops via Creation Records, they were the sonic little brothers to label-mates My Bloody Valentine. But their second album, 1992’s Going Blank Again, ploughed its own path, leaving the competition behind. Twenty years on, this smart, book-bound reissue adds most of the tracks from contemporary EPs and teams the album with a DVD of a March 1992 Brixton Academy live show.
In the liner notes, guitarist – and future Oasis bassist, and current Beady Eye member - Andy Bell admits Ride were initially an “an amalgamation of the Jesus & Mary Chain, My Bloody Valentine and the House of Love” – all of whom had been on or were on Creation. The label was Ride’s natural home. Going Blank Again found Ride stretching out, exerting a growing confidence and musical prowess to complete one of the year’s most striking and satisfying albums. It went Top Five. An EP with the still-stunning “Leave Them all Behind” as the lead track trailed Going Blank Again. Its soaring, surging beauty married Who dynamics to shoegazing.
When the album came, it revealed a band at home with to-the-point Sixties-style psychedelic pop (“Twisterella") and dramatic guitar interplay (“Not Fazed”). “OX4” was an out-and-out psychedelic reverie. There were missteps – the archly pop “Making Judy Smile” – but this was their confident peak. The Brixton show on the DVD has exemplary sound, and shows Ride matching the studio ambition live. On stage, everything springs from Loz Colbert's explosive, Keith Moon drums. A great band on a high, on a great album.
The quintessential Left Bank muse, Juliette Gréco has always managed the enviable trick of being cool and distanced, yet popular and engaged with the lyrics she delivered. This un-annotated compilation – no sources or dates are given for any tracks – won’t replace last year’s La Belle Vie box set, but it is a fine, atmospheric starting point. The 22 songs seem to be drawn from soundtrack appearances, rather than studio sessions. So classics like the Léo Ferré-written “Jolie Môme” and George Brassens' “Chanson pour L’Auverngnat” don't sound quite as you remember them. As the muse of stellar writers – adaptations of the lyrics by Charles Aznavour, Jacques Prévert and Françoise Sagan are also here – Gréco has always risen to the challenge, and is never less than dramatic and engrossing. Pity about the poor packaging.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Bruce Dickinson and co. return with an album that punches well above its weight – and mainly to the face
Doherty and Co return to the fray with more tales of London’s seedy underbelly
The punk and post-punk icon lets rip
Texan rockers show that, vocally, bigger can indeed be better
Stylish Bach-inspired solo album from one half of French band AIR
Avant-garde art-pop from erstwhile BAFTA nominee
The American soul great’s late-Sixties to mid-Eighties captured on a hefty, in-depth snapshot
PiL builds up a head of steam with its second comeback record
An exercise in musical archaeology unearths a modern classic
Anglo-Kenyan collaboration proves captivating
A wild time was had by all until rain stopped play…
Psychedelic Swedes lay down some mind-blowing pagan ritual music