New Music Exclusive: KanZeOn | New music reviews, news & interviews
New Music Exclusive: KanZeOn
Two exclusive free download tracks of stunning Anglo-Japanese improvisations from one of the films of the year
Joe Muggs writes: “KanZeOn is one of my favourite films – not just music films, but in any genre – of the past year. Not quite documentary, not quite art film, not quite music video, it's a slow, abstract audiovisual love poem to Japan and its relationship to sound and music. For the most part it shows three main characters (see the description by co-director Neil Cantwell below), playing music and narrating their understanding of that music – but in so doing, it tells us a vast amount about Japanese culture, psychology and spirituality, as well as showing some of the most stunning sacred places and areas of natural beauty I've ever seen on film.
“I was lucky enough to see a very early showing of the film at the ICA right at the end of 2011, together with talks from the directors Cantwell and Tim Grabham and performances by Akinobu Tatsumi the "hip hop monk" who appears in the film (all pictured at the ICA, right). I was completely enchanted not just by the film but by the amount of love and knowledge the filmmakers had for their subject, and the sense of community they had built up among an extended family of musicians and collaborators, including the Leeds electronica/hiphop DJ/producer Gerard Roberts aka Kidkanevil who (along with Laurent Fintoni of Original Cultures) had alerted me to the project in the first place and who contributes to the remixes and reinterpretations on the CD which comes with the film's DVD.
“Since then, I have watched the DVD near weekly and never tired of it, always finding it as rewarding as the first time. It's not faultless by any means: there is clearly a lot of improvisation going on in the filmmaking process, and though the experiments often work brilliantly the electronic processing of sound and image can on occasion get in the way of appreciating the musical moment. This is, though, never enough to break the overall atmosphere of the film, which is utterly absorbing, and takes you into a world of evolving tonality where human-created sound is at one with its environment, and so dramatically removed from our conceptions of melody and rhythm that it sometimes feels like hearing music for the first time. I'm extremely happy, then, that Cantwell offered us these two tracks from his early research work in Japan, which each capture just a little of that feeling.”
"Immanent" – Shinekosei & Eri Fujii + Koichi Yuasa: keyboard, Neil Cantwell: beats & samples, Eri Fujii: sho
"Minor" (field recording) – Dissolvingpath & Eri Fujii + Neil Cantwell: guitar, Eri Fujii: sho
Neil Cantwell's commentary: “All of the three main characters in KanZeOn come from musical connections that I made while living in Japan in the course of doing research about the Shikoku 88 Temple Pilgrimage and Japanese Religion more generally. Akihirio Iitomi – a master of Noh theatre and a kotsuzumi drum player whose love of jazz almost matches that of his passion for Japan's traditional performing arts – was my teacher when I spent six months studying the Kotsuzumi drum with him. I met Akinobu Tatsumi (pictured below left) – a young Buddhist priest and custodian of a temple outside of Kumamoto City who moonlights as a hip-hop DJ while indulging his love of beatboxing in remote forests – through making tracks and playing shows with him via our mutual friend Koichi Yuasa (Ko), who I was making music with as Shinekosei. It was performing with Ko that also led me to meet Eri Fujii - we played a concert at a venue in Fukuoka called art space tetra and Eri also happened to be on the bill. She has devoted her life to the mastery of the sho, a rare and ancient Chinese bamboo wind instrument evoking the cry of the phoenix.
“Having been completely blown away by her performance, I approached her to ask about the possibility of working on some music together and not long after Ko and I went to stay with her for a few days. These tracks are the results of that time we spent together, although we actually spent very little time playing music and now those days are more memorable to me for the incredible religious sites she took me to, including the cave that ended up in the film. Both Ko and myself were incredibly affected by the overpowering religious atmosphere of where she lives, in a beautiful little house next to a huge lake formed by a dam - the first track is the three of us together, and then Ko was having a little sleep when Eri and I played the second track, during which a huge thunderstorm began, which was completely awe-inspiring, sat there with the doors open onto the lake as Eri somehow distilled the atmosphere into her sho, and I tried to keep up...”
- The KanZeOn DVD can be ordered from the makers' own website
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Norwegian improvising vocalist travels through hit songs via the subconscious
Old school folk-rockers prove they can withstand the test of time
Unhinged assault on the eardrums from the Bristol four-piece
Infectious disco tribute from a man who knows the genre inside-out
Latin rhythms mingle with a cool delivery and cerebral lyrics for a searching, substantial collection
Wallet-friendly compendium of one of Britain’s great singer-songwriters
Noel and his High Flying Birds aim for new heights without straying too near the Sun
A celebration of diversity and a historic addition to jazz’s political back catalogue
Tables turned as Fairport Convention are auditioned by their new singer
Barn-dance friendly Scandinavians find their own groove
Shiny-suited funk from the LA-Seattle supergroup
Philadelphia’s finest prove themselves to be more than the sum of their influences