The Nation's Favourite Bee Gees Song, ITV1 | New music reviews, news & interviews
The Nation's Favourite Bee Gees Song, ITV1
A safe but sincere tribute to the biggest hits of the Brothers Gibb
“They’re some of the greatest pop songs ever written,” declares Sir Elton John. He’s right. The Bee Gees – Barry, Maurice and Robin Gibb – are responsible for songs that will live forever, songs that are part of successive generation’s cultural furniture. Yet although the title was The Nation’s Favourite Bee Gees Song, the question asked on the ITV website was: “Just what is the greatest Bee Gees song ever?” Favourite and greatest aren’t the same thing. They can be, but they aren’t.
This kitten-soft stroll through 20 of The Bee Gees’ evergreens wasn’t concerned with any such existential dilemma. Amanda Holden’s excited-puppy voiceover wasn’t made for questioning. So thankfully, we had help from Sirs Elton John and Cliff Richard, Neil Sedaka, Bob Harris and Katie Melua. Dave Grohl, too. And Barry and Robin Gibb. It was obvious from before the off that the concept album Odessa, oddities like “Harry Braff” or the classics “Red Chair, Fadeway" and “Kilburn Towers” weren’t going to get a look in. Of course, there are other programmes to be made about their songs: The Bee Gees' Most Idiosyncratic Songs maybe, or one dedicated to the songs they’ve given away. Let’s hope they get made.
The wildly perky voiceover wittered that they defined an era. Which one?
Still, whatever the Bee Gee torch held, it’s extraordinary that the band's survival instinct – perhaps strengthened at different times by the deaths of both Maurice and solo brother Andy – has given their songs a seemingly endless shelf life, while they themselves write songs that suit any of pop’s generations. “They defined an era,” wittered the wildly perky voiceover. Which one? As Sir Cliff noted, they reinvented themselves.
Judging by the session musicians trotted out, the Gibbs relied on studio keyboard players to realise their ideas, as well as the producers they worked with. Robin Gibb said they always started with a melody and recorded the complete backing track before adding a vocal. Barry Gibb said of his trademark wordless high vocal that, “I went out there and screamed, and it didn’t sound like a scream.” Of Barbra Streisand he insightfully offered, “She’s great, she’s Barbra.”
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
John Lennon was born 75 years ago. To blow out the candles we revisit everything we've ever said about John (and Yoko)
Live album from the Senegalese legend
The US indie rock band played a small gig that gave a big return
Evergreen punk blues man unveils his new band and tears the place down
Sublime, irresistible blend of dance, electro-swing and hot jazz
Japanese jazz-fusion to blow the cobwebs away
New Wave veterans add Country and Western vibes and come up smiling
Bright lights and the shadow of The Beatles at Germany’s prime showcase for new music
Despite the band credit, the classic ‘Now That Everything’s Been Said’ is Carole King’s first solo album
The troubled troubadour returns with a superb album that dances through desperation
Stadium synth bombast that has to be heard to be believed
The return of the erstwhile King of the Slackers, Evan Dando