The Impossible Gentlemen, Pizza Express Jazz Club Soho | New music reviews, news & interviews
The Impossible Gentlemen, Pizza Express Jazz Club Soho
Anglo-American supergroup oozes musical authority on the final leg of its tour
Of the many challenges facing a contemporary jazz quartet, there are, perhaps, several more pressing than becoming a gentleman. For this extraordinary band, their conviction derives from the affection, respect and detail with which they synthesise such a breadth of jazz tradition. Just arrived in London for the final leg of a tour to launch their second album Internationally Recognised Aliens, this first night of four at Pizza Express was an utterly compelling statement of that identity, spanning several genres of the contemporary jazz guitar.
The gentlemen’s variety is immediately suggested by the contrasting backgrounds of the British pair who have composed the majority of the band’s music. Self-taught jazz fusion guitarist Mike Walker composes jointly with the serial academician Gwilym Simcock, with occasional contributions from American drummer Adam Nussbaum. Before they have so much as picked up an instrument, their music encompasses genres and continents.
Unlike some of the explosive bands of the moment, these gentlemen don’t scream 'now'
The bass role is shared between veteran virtuoso Steve Swallow and, on this tour, the multi-talented bassist and producer Steve Rodby. When, like Rodby, you have more Grammys than you can count on the fingers of both hands, what else can you do but pick up your bass and make the softest, gentlest groove?
Generically, the gentlemen were most strongly influenced by jazz-rock and the blues, with funk and Latin jazz shading a couple of pieces, and Simcock’s composition "Barber Blues" - though structurally a 16-bar blues - dipping a toe into his classical training with an appreciation of American composer Samuel Barber. Walker’s fondness for programmatic pieces like the darkly comic "Willender’s Last Stand", meanwhile, about a tightrope walker blown to his death during his final retirement performance, lent the evening a prog-jazz flavour.
The individual players’ sounds were just as varied as the generic programme. Walker - whose palette of exquisite electronic sounds was perhaps the band’s most distinctive feature - delved deep into into the soul of the instrument, at home with both Frisell-like Americana and a driving rock beat. At times (for example during the encore, Nussbaum’s "Sure Would Baby"), he coaxed a wail from his guitar so intense it made the spine vibrate like his guitar string. Rodby and Nussbaum both gave superb solos, though much of the time their contribution was a gentle, teasing groove, Nussbaum often tapping the drum skin with his fingers. Simcock was everywhere, sometimes driving unobtrusively - the showy stuff was left to Walker, mostly - but always ensuring the harmonic lines of piano and guitar didn’t clash.
The group’s ambition encouraged technical innovation. Simcock sounded convincingly louche playing a Moog for the first time on this tour, while Rodby, used to playing more tightly composed pieces, was picking and mixing the notes with the liberated glee of a boy in a sweet shop.
Unlike some of the explosive bands of the moment, these gentlemen don’t scream "now": their roots in the history of the music are too deep for that. Their approach, formally quite traditional but brought to life with virtuosic musicianship, is infused throughout with a deep knowledge of and respect for jazz tradition. They ooze musical authority, and in that sense, they are gentlemen.
- The Impossible Gentlemen are at Pizza Express Jazz Club until 24 October, then at the Royal Welsh College of Music and Drama, Cardiff on 26 October
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Japanese jazz-fusion to blow the cobwebs away
New Wave veterans add Country and Western vibes and come up smiling
Bright lights and the shadow of The Beatles at Germany’s prime showcase for new music
Despite the band credit, the classic ‘Now That Everything’s Been Said’ is Carole King’s first solo album
The troubled troubadour returns with a superb album that dances through desperation
Stadium synth bombast that has to be heard to be believed
The return of the erstwhile King of the Slackers, Evan Dando
Diverse and supposedly autobiographical songs end up sounding too similar
Jonathan Donahue and Grasshopper talk beginnings, cassettes and hiss
He used to 'torture' maidens on stage, but what is Blackie Lawless up to now?
A new beginning and declaration of rights from Sweden’s sonic voyagers
Albums two, three and four reveal different facets of the fast-moving Scots guitar whizz