Glen Campbell: The Rhinestone Cowboy, BBC Four | New music reviews, news & interviews
Glen Campbell: The Rhinestone Cowboy, BBC Four
Long-overdue appreciation of an American great
Although there was no shortage of interview clips with Glen Campbell in this fine overview of his career, the tragedy was that archives were so heavily drawn on. Tragic because pop-country stylist Campbell has Alzheimer’s and is limited in what he can contribute. Less tragic, but equally noteworthy, was that British TV has taken so long to get around to seriously appraising the singer of classics like “By the Time I Get to Phoenix”, “Wichita Lineman”, “Galveston” and “Rhinestone Cowboy”.
Campbell was a British chart and television fixture from the late Sixties into the Seventies – more so in America - and achieved what few singers and players with country roots were able to do: he crossed over. The world of pop was as much his as the world of country. His last solo album, 2011’s Ghost on the Canvas, was acknowledged as his last and was accompanied by farewell live dates, which came to an end last year. Ghost on the Canvas shared the poignancy of Johnny Cash’s likewise Rick Rubin-produced American Recordings, and similarly tackled contemporary material.
There’s much more to Campbell than the hits, his diagnosis and the headlines surrounding his 2003 drunk and hit-and-run driving charge. Born to Irish/Scottish parents in Arkansas, he began on the bottom rung of white society in the rural south. His family were sharecroppers, picking cotton for a pittance. Music, though, was “part of what he crawled out of the cradle doing.” One look at the piercing eyes captured in a black and white photo of him showed there was obviously something to this kid.
Campbell was troubled. Drugs and drink beckoned. He had stormy relationships, notably with sassy country minx Tanya Tucker
At 14, he toured with his uncle’s band, on guitar. At 16, he was in his aunt’s band. At 20, he was married with a kid of his own and living in Albuquerque. A fortuitous meeting with Jerry Fuller of “Tequila” hitmakers The Champs was followed by upping sticks to LA and joining the band (although it was heard, Campbell did not play on “Tequila”). Campbell soon tried his luck on 45. His formidable prowess on guitar led him to become a session player. His countless appearances include The Righteous Brothers’ “You've Lost That Loving Feeling”, Frank Sinatra's "Strangers in the Night” and sundry Elvis and Monkees' tracks.
During the first half of the Sixties he was a regular on California’s TV pop shows, backing others and singing the hot hits of the day. His reputation was so good that he replaced Brian Wilson for a while in The Beach Boys. The favour was returned by Wilson, who wrote the fabulous flop single “Guess I’m Dumb” for him. Unlike most sessioneers, he wasn’t shy about stepping forward. His own releases being serial stiffs didn’t hold him back either.
In 1967 he found John Hartford’s “Gentle on My Mind”. It didn’t hit big on the mainstream charts, but it did win 1967’s Grammy for the Best Country and Western Record (a landmark not mentioned here). On his way now, he co-opted the art-pop songs of Jimmy Webb and soon crossed over into the mainstream. Although the Webb and Campbell partnership has endured, a fallow patch ended with 1975’s Larry Weiss-penned “Rhinestone Cowboy”. Somehow, Campbell found time to act alongside fellow Republican John Wayne in True Grit – a performance rated by no one here, apart from the film’s lyricist Don Black.
Campbell was troubled. Drugs and drink beckoned. He had stormy relationships, notably with sassy country minx Tanya Tucker. Despite the upheavals, he’s never stopped. The ever-loquacious and always twinkly Webb spoke about him with great affection, and was almost as much the star of this programme as Campbell himself. The Monkees’ Micky Dolenz is obviously also very fond of Campbell. After watching this, it was impossible not to share their regard. Even if Alzheimer’s had not come along, you know they would have thought the same.
Watch Glen Campbell perform the Brian Wilson-penned and produced "Guess I’m Dumb"
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Long-awaited, psyched out debut from DJ-producer duo is an entertaining ride
Are you hipster and highbrow enough for Metronomy's in-jokey pop?
Music crosses borders in the shadow of war, with Bassekou Kouyaté and Paul Weller
Peculiarly packaged two-volume collection of essential Seventies Nigerian soul-rock
Scottish and English folk ballads are given the ambient drone treatment by the Earth mainman
British space-funk collective blend local and global while keeping rumps shaking
The producer and record label boss delivers a beautiful blend of influences
Yet another frustrating album from the art-punk outfit
A glimpse of what Europe's cosmopolitanism can really mean in Barcelona
From alt-pop to doom metal to Haitian party tunes, all musical life is here
Expect the unexpected on Canadian songwriter's immersive breakup album
This self-declared official 40th anniversary of punk compilation misses the mark