CD of the Year: Samuel Yirga - Guzo | reviews, news & interviews
CD of the Year: Samuel Yirga - Guzo
CD of the Year: Samuel Yirga - Guzo
Otherworldly jazz from young Ethiopian pianist with dizzying potential
This is both a bang up-to-the-minute album, but also a throwback to the glory days of Ethiopian jazz in the late 1960s and 1970s - an era excavated with loving care over the last 15 years by Francis Falceto’s Éthiopiques series (now up to 27 releases).
This disc is resolutely old fashioned in its adherence to the form and structure of an album, a proper long playing record which has a musical narrative and arc. Yirga was often buried in the mix in Dub Colossus, so his expressive playing here is a revelation. The most immediate flavour is Ethiopian, with those characteristic five-note scales that make such music, as Brian Eno memorably put it, sound like “jazz from another planet.”
But there’s plenty of room for more lateral influences, from the Latin tumbaos of “My Head”, the Morcheeba-like “African Diaspora” (featuring Nicolette from Massive Attack) or more contemplative pieces like the Abdullah Ibrahim flavoured “Drop Me There” or the spare piano work of “Dance With The Legend”, which illustrates Yirga’s classical training. An unexpected oddity is the space-hippy classic “I Am the Black Gold of the Sun” with guests the Creole Choir Of Cuba. Like fellow musiciansTigran from Armenia or Roberto Fonseca from Cuba, Yirga uses local colours to inject new flavours into the art of jazz piano.
Guzo was beautifully recorded in Addis and the Real World studio near Bath and sensitively produced by Nick Page (Aka Dubulah from Dub Colossus), and the balance of instrumentation between brass, percussion and piano is a thing of wonder. Yirga, born in Addis, had a struggle to get where he is (he only started playing piano at 16) but he has grasped this opportunity with open arms and scored a winner. He is still in his twenties, this is his first solo album, and as Page put it: “His world is opening up.” This isn’t, you feel, quite the finished article just yet, and there are times when he is too obviously channelling the likes of his heroes Keith Jarrett or Herbie Hancock, but the potential is dizzying and his joy in playing transmits wonderfully to the listener.
Watch Samuel Yirga playing solo piano
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