CD: Vieux Farka Touré - Samba

The fiery music of a country under threat

share this article

The river of sound from Mali never stops flowing. War in the Sahara and the constant threat of Jihadists haven’t stopped the ceaseless wave of creativity that surges through the West African country.

The Malians speak of music giving courage, of song’s capacity to warm hearts. Vieux Farka Touré’s latest in a line of splendidly "encouraging" albums is guaranteed to move, get you up on your feet. and celebrate. The Touré family aren’t griots or praise-singers but members of the warrior caste, and their hereditary vocation is palpable in the great power of their music.

A massive counterblast to the uptightness, puritanism and hypocrisy of fundamentalist Islam

This music surges from the soul with unrelenting force, as on songs such as  “Samba Si Kairi” in the gently lolloping mode now commonly known as "desert blues", and made famous by Vieux’s father Ali Farka Touré: the guitar and ngoni playing woven together with great delicacy, in subtle and seductive conversation.

There are some extraordinary solos, as on the up-tempo “Bai Kaitere”, reminiscent in their intense wildness of Hendrix or Prince at their very best, a rich and mind-bending guitar sound produced by a combination of reverb and delay. On stage, this kind of material, playing on repetition, has a trance-inducing quality. Vieux Farka Touré and his fellow-musicians summon the spirits of Northern Mali, and are carried by the spiritual force that survived the horrors of the slave trade and was reborn in gospel, blues, soul and rock.

Vieux Farka Touré takes us to the sacred heart of rock’n’roll, a spirituality that is rooted in sexuality as much as the heart and spirit, and provides a massive counterblast to the uptightness, puritanism and hypocrisy of fundamentalist Islam. It is said that Ali Farka Touré was inspired by John Lee Hooker. His son has listened to the best of rock’n’roll, and this has made it possible for him to re-invent his own ancestral music, as if, in some miraculous way, the dark heritage of slavery had been magically reversed and Africa’s song revitalised by an infusion of pain-soaked energy.

@Rivers47

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Vieux Farka Touré takes us to the sacred heart of rock’n’roll, a spirituality that is rooted in sexuality as much as the heart and spirit

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along