CD: Joker - The Vision | New music reviews, news & interviews
CD: Joker - The Vision
Can Bristol's synth-funk soundsystem wunderkind live up to his early promise?
Joker, aka 22 year old Bristolian Liam McLean, is one of the most individual talents of the dubstep/grime generation. His long run of dancefloor-directed single releases, some originally recorded when he was in his early teens, showed natural gifts for finding the funk in the sparsest rhythms and for frazzlingly catchy melodic synth riffs which meant his productions leapt out of DJ sets wherever and whenever they were played. Now, following a quiet 18 months, his debut album shows that he's not content to rest on his laurels.
The Vision is a high-gloss affair. McLean has always been a fanatical lover of technology, and it's clear he's been getting the most out of the lavish studio he has built with with his lucrative DJ fees. Every surface here is gleaming, every rhythm intricate, every rapped or sung guest vocal – on half the 12 tracks – technologically enhanced to match the most expensive and expansive of US R&B. It's extremely odd at at first if you're used to the starkness of those early Joker singles: the shock of the new that came with his bold and bizarre productions isn't there, and it feels like he's gone for generic commercialism.
However, more than a cursory listen reveals that instinct to be completely wrong: the old weirdness is still there in bucketloads, and this album is the definition of a grower. Especially on headphones, or ramped up loud, you can hear gloriously twisted and psychedelic synth curlicues escaping around the edges of even the most conventional sounding tunes; though a track like “On My Mind” might be quite American-sounding, it's up there with the best, most Prince-influenced work Timbaland did for Justin Timberlake, which is no small compliment. And best of all, there's a special edition (vinyl only at the moment) forthcoming with instrumental versions of all the vocal tunes so the sheer physical impact of the production and arrangements can be experienced at its most direct.
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Compelling arrangements breath new life into classic material
A jazz festival finale of rare brilliance
An exciting new chapter in award-winning artist's development
Mind Fair take us for a wild, psychedelic ride on their debut album
Hypnotic acoustic Malian grooves for the closing day of the EFG London Jazz Festival
All-star Blue Note sextet brings the audience to its feet
Boyle's in fine vocal form, but sticks too closely to the path well trodden
How Eno’s co-opting of Jon Hassell’s avant-garde style changed the course of music
French producer Guetta boasts another star-studded line-up, but can he do mature without the cheese?
The Polish jazz train goes off the rails at the EFG London Jazz Festival
Beautiful collaboration and beastly guitar-playing in a stunning jazz fusion gig
Ten years of riotous big band folk in one night