CD: Frightened Rabbit - Pedestrian Verse

Local heroes' major label debut hides its darkness under upbeat tunes

share this article

Unsanitised: Frightened Rabbit's fourth album is one of their finest

In theory, it’s close to impossible to achieve some semblance of mainstream success without being decried as a sellout by at least a proportion of your fanbase. Yet I don’t think there was a Scottish indie music fan who greeted this week's news that Frightened Rabbit had scored a Top 10 chart place for their major-label debut without a mixture of pride and delight.

It helps of course that on Pedestrian Verse, Selkirk’s most famous sons have stripped back the slight gloss of over-production that threatened to overwhelm 2010’s The Winter of Mixed Drinks. This fourth album sees Scott Hutchison’s vocals restored to pride of place in the mix, albeit this time with songwriting duties shared the lyrics he sings are hardly his alone. The good news for fans of the band’s characteristically blunt, evocative words is that it seems misery, depression and heartbreak were never Hutchison’s remit alone (it’s bad news for the band members, I would assume).

Oh but that’s the sort of crass, black humour you’ve always been likely to find underneath Frightened Rabbit’s sprightly melodies, and that’s the thing it would have been saddest to see sanitised under the umbrella of a major label. Not so - Hutchison has said in interviews that the impact of a relationship break-up seeped its way into some of the songs much as it did on their breakthrough record The Midnight Organ Fight, and it’s apparent from the subject matter. Loneliness (“Holy”), social anxiety (“The Woodpile”) and resignation (“Backyard Skulls”) are all well-represented, while “State Hospital” spins an evocative fiction around a troubled female protagonist.

Set to the backdrop of some of the brightest, most upbeat music that the band has ever produced (on “Housing (In)”, “Oil Slick” and album standout “Late March, Death March” in particular), Pedestrian Verse keeps its considerable darkness well hidden. To existing fans the album will rank among the band’s best work, but as a major-label debut it’s a masterstroke. You won’t realise why until you’re singing along.

Listen to "State Hospital":


As a major-label debut, Pedestrian Verse is a masterstroke

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction