CD: Esmé Patterson - Woman to Woman | reviews, news & interviews
CD: Esmé Patterson - Woman to Woman
CD: Esmé Patterson - Woman to Woman
Denver songwriter explores the lives of the under-sung heroines of contemporary pop
Woman to Woman, the second solo album from Denver songwriter and former Paper Bird front woman Esmé Patterson, has an origin story almost as interesting as the music.
“Tumbleweed” became a whole album’s worth of stories from the points of view of the under-sung women of 20th-century pop – an album which, driven by Patterson’s empathy and eye for detail, is as clever, angry, witty and diverse as the women whose stories it tells. From its playful opening track – a kiss-off in which Elvis Costello’s “Allison” tells her mawkish ex to “give me your blessings or give me your curses, I’ll be just fine” – to the wistful reminisces of the Ramona of Bob Dylan’s imaginings that close the album in “Wildflower”, Woman to Woman is a fascinating and beautifully realised work that never sacrifices listenability for its central conceit.
In between Patterson introduces the listener to characters that, despite the limitations of Americana as a genre, spring to life fully realised and distinct. And so a sympathetic, yet world-weary Jolene talks some sense into the girl that’s begging of her not to take her man on the calypso-esque “Never Chase a Man”; while Billie Jean rages against the man who would dismiss her and her child on one of the album’s most powerful songs. Elsewhere Lola unapologetically flirts with the man to whom her existence will become the next morning’s joke, and Eleanor Rigby feeds the bluebirds on her windowsill and quietly reflects on a life well lived.
Overleaf: hear "The Glow", Esmé Patterson's response to the Beach Boys' "Caroline, No"
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