sat 20/12/2014

CD: Alice in Chains - The Devil put Dinosaurs Here | New music reviews, news & interviews

CD: Alice in Chains - The Devil put Dinosaurs Here

Phoenix-like grunge metallers keep it sludgy and nasty

AiC: droning guitars and bitter melodies

In its day Alice in Chains’ so-called “sludge metal” – something a bit like the sound of industrial machinery pulled through treacle – was some of most darkly brilliant music to come out of Seattle. Much of this was down to Layne Staley’s drug-soaked lyrics which eventually proved prescient: in 2002 he succumbed to an overdose. Seven years later, when guitarist Jerry Cantrell resurrected the band, many wondered how long the new line-up could keep it up.

On the strength of this new album they can do it as long as they like. The droning guitars, sledgehammer drums and bitter melodies on The Devil put Dinosaurs Here are as dirty as ever. Particular mention, however, needs to go to the vocals. Probably not since Brian Johnson stepped into Bon Scott’s shoes has a front man been such a shoo-in as William DuVall. A surprisingly versatile singer he is eerily capable of recreating the band’s muscular angst.

The tunes are pretty much classic Alice in Chains with a little early Queens of the Stone Age thrown in. It’s a well-judged mix of swampy fuzz fests and brooding slow-burners. Fans will have already judged for themselves what they think of single, “Hollow". Better still is “Stone”, (see video below) but if the album harbours a big hit, however, it's surely the acoustic anthem “Scalpel”, which has a whiff of Nirvana about it.

British audiences may find one song a little quaint. The title track finds the band baiting evangelical Christians and their theological position on creation. Still, if their religious hang-ups sound a little outdated over here, at least they express themselves in true blunt AiC style: “The devil put dinosaurs here / Jesus don't like a queer.”

Watch the video for "Stone"

 

 

Add comment

The content of this field is kept private and will not be shown publicly.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Use to create page breaks.

More information about formatting options

By submitting this form, you accept the Mollom privacy policy.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters