Album: Mavis Staples and Levon Helm - Carry Me Home

Good enough gospel but a little too bland

share this article

Moments of glory from Mavis and Levon

There is so much gospel out there that it’s not easy to stand out above the crowd. Mavis Staples, with a distinctive voice that has delivered a gritty contralto for many decades, never stops. This new release, a set of songs that were recorded in 2011, is a collaboration with the Band’s late drummer Levon Helm, a sure-fire fan of African-American church music.

It’s a only just more than a decent collection, with a few moments of glory, not least a rocking and rolling version of the classic “You Got to Move”, but there's something a little too efficient rather than ecstatic about it, even if much of the material was recorded live at Levon Helm's studio in Woodstock. There's fantastic playing by all concerned (the musicians are drawn from Levon’s and Mavis's bands), a properly sanctified-sounding group of backing singers (at their best on an a cappella “Farther Along”), and a punchy horn section which shines on a grinding rendition of Bob Dylan’s “You Got to Serve Somebody”.

Dylan is one of the keys here. He grew up with the Staple Singers – both their tremolo-guitar-laden Vee-Jay hits of the 1950s and their classics for Stax in the 1960s and early '70s. It is perhaps not surprising that The Band’s “The Weight” is included, a song with a decidedly spiritual tone. Not surprising either that Dylan should have "got religion"; an incomprehensible betrayal for many, and yet a 100 per cent logical move for a member of a generation that sought spiritual roots in African-American music as much as reaching for hippie freedom.

This is a pleasing album, but it's a little pallid compared to the best of Dylan’s live material from his gospel tours (1979-80), or Aretha Franklin’s “Amazing Grace” recordings from 1972, let alone – if we are talking of Mavis and the Staples – tracks like their deeply inspiring “Respect Yourself” (1971) or the spine-chilling “Uncloudy Day” (1959). This undeniably worthy collection lacks that sense of hovering on the edge of spiritual possession, essential to the very best of gospel – a music that can change lives.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
This undeniably worthy collection lacks that sense of hovering on the edge of spirit possession

rating

3

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

Eye-opening tribute to BBC Radio 2’s riposte to Radio’s 1’s allegiance to the charts
Despite a mostly seated venue, the dance veterans got fans on their feet with ease
Extreme noise terrorists double up their fire power to great effect
The quietly poetic singer-songwriter finds an impressive way to get louder
The last great bastion of regular international vinyl record reviewing
Third album from Poet Laureate Simon Armitage and friends is propelled by cosmic as well as worldly themes
With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe