wed 17/09/2014

LFF 2012: Robot & Frank | Film reviews, news & interviews

LFF 2012: Robot & Frank

Frank Langella forms an unlikely friendship in the delightful debut of Jake Schreier

Casing the joint: Frank Langella and friend do some heist prep in 'Robot & Frank'

Set in the near future on the outskirts of New York, Robot & Frank sees a grizzled ex-con warm to his mechanical helper, eventually enlisting him as a criminal accomplice. It might sound like the plot of a genre flick (Short Circuit springs to mind) but, like the robot in question, this little movie will knock you sideways with its soul. Boasting beautiful performances and ample humour, director Jake Schreier’s accomplished feature debut considers the preciousness and precariousness of memories – how they make us who we are, and indeed what it means to be alive.

Frank Langella plays our 70-something hero (and how refreshing that is!), a former cat burglar who has served two stretches inside. He’s a man out of sorts and nearly out of time – he’s grouchy and reclusive with a failing memory. When his son Hunter (James Marsden) buys him a robot helper (voiced by Peter Sarsgaard) Frank is unimpressed, describing it as a “death machine” and complaining that “that thing is going to murder me in my sleep”. However, he begrudgingly tolerates its presence and Frank is delighted when he discovers Robot has no moral compass and that it can assist him in his return to crime.

Langella is simply wonderful here and there’s fine support from Marsden, Susan Sarandon (as Frank’s librarian love interest) and Liv Tyler as Frank’s daughter. But what really lifts the movie is the success of Robot and Frank as an odd couple - a relationship as consistently funny as it is touching. Robot & Frank is a skilfully crafted caper and it’s all the more moving for its modesty.

In the post-film Q&A, director Jake Schreier revealed that Langella and Peter Sarsgaard still haven’t met (Sarsgaard’s voice-work was inserted post-production), while Langella was on terrific form, joking that the experience was nothing new given that he’d “acted opposite a number of inanimate objects in my career.”

Follow @EmmaSimmonds on Twitter

Add comment

The content of this field is kept private and will not be shown publicly.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Use to create page breaks.

More information about formatting options

By submitting this form, you accept the Mollom privacy policy.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters