LFF 2012: Robot & Frank | Film reviews, news & interviews
LFF 2012: Robot & Frank
Frank Langella forms an unlikely friendship in the delightful debut of Jake Schreier
Set in the near future on the outskirts of New York, Robot & Frank sees a grizzled ex-con warm to his mechanical helper, eventually enlisting him as a criminal accomplice. It might sound like the plot of a genre flick (Short Circuit springs to mind) but, like the robot in question, this little movie will knock you sideways with its soul. Boasting beautiful performances and ample humour, director Jake Schreier’s accomplished feature debut considers the preciousness and precariousness of memories – how they make us who we are, and indeed what it means to be alive.
Frank Langella plays our 70-something hero (and how refreshing that is!), a former cat burglar who has served two stretches inside. He’s a man out of sorts and nearly out of time – he’s grouchy and reclusive with a failing memory. When his son Hunter (James Marsden) buys him a robot helper (voiced by Peter Sarsgaard) Frank is unimpressed, describing it as a “death machine” and complaining that “that thing is going to murder me in my sleep”. However, he begrudgingly tolerates its presence and Frank is delighted when he discovers Robot has no moral compass and that it can assist him in his return to crime.
Langella is simply wonderful here and there’s fine support from Marsden, Susan Sarandon (as Frank’s librarian love interest) and Liv Tyler as Frank’s daughter. But what really lifts the movie is the success of Robot and Frank as an odd couple - a relationship as consistently funny as it is touching. Robot & Frank is a skilfully crafted caper and it’s all the more moving for its modesty.
In the post-film Q&A, director Jake Schreier revealed that Langella and Peter Sarsgaard still haven’t met (Sarsgaard’s voice-work was inserted post-production), while Langella was on terrific form, joking that the experience was nothing new given that he’d “acted opposite a number of inanimate objects in my career.”
theartsdesk is changing
Thank you for continuing to read our work on theartsdesk.com. In September we reached our fourth birthday and feel that the time is now right, in line with other media outlets, to start asking our regular readers for a contribution to help us develop the site further. Theartsdesk has therefore moved to a partial subscription model. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
Take an annual subscription now simply click here.
Five decades on, British film adaptation of 'The Turn of the Screw' still has the power to unsettle
Memorable marriage drama set within Tel Aviv Hasidic community
Giuseppe Tornatore's homage to cinema is more sweet than bitter 25 years on
Disturbing account of Indonesia’s normalisation of the aberrant, corrupt and depraved
The Great Beauty and the great Deneuve win, but Europe's showpiece film awards fizzle meekly
Dismal Danish gross-out road-trip comedy pushes familiar buttons
Tarantino-approved Israeli crime-comedy combines ultra-violence with home truths
Welles' weirdest film is a fascinating failure
Allen Ginsberg stars in Harry Potter and the Frotting Frats
theartsdesk recommends the half-dozen top movies out now
A superb retrospective of New Hollywood cinema strikes a chord with today's disenchanted youth
Alexander Payne strikes gold with a story about a man who doesn't