Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

DVD: Hercules

Frothy popcorn revision of the Hercules legend, lacking in fizz

share this article

The Rock, with ubiquitous shield wall, wears the latest in Nemean Lion millinery

Given Hercules stars Dwayne “The Rock” Johnson and is directed by Brett Ratner, the man behind the Rush Hour films, currently signed on to helm Beverley Hills Cop IV, few would expect anything but a mindless multiplex romp. And that’s exactly what they get although it’s a shame brains must be so completely switched off since much more fun could have been had with this, especially given a strong supporting cast that includes John Hurt, Peter Mullan and Joseph Fiennes. Marvel films such as Avengers Assemble and Guardians of the Galaxy have ably demonstrated that it’s possible to entertain 14-year-old boys while retaining comedy, likeability and general post-modern smarts tailored to all ages and sexes.

Those expecting the 12 labours of Hercules will also be disappointed for these are quickly glossed over in the opening sequence and the Hercules we’re introduced to is a mercenary roaming about with a band of reprobate stereotypes, played by the likes of Ian McShane, Rufus Sewell and Norwegian actress Ingrid Bolsø Berdal. They’re asked by the King of Thrace (Hurt) to deal with his enemies, whereupon the film falls into familiar Magnificent Seven-style, training-the-farmers territory and endless talk of “shield walls” (which the screenplay becomes obsessed with, for no particular reason). However, there’s a double cross along the way and Hercules must face an event from his own violent past.

This latter bloodbath plays on the original Greek legend of Heracles, and the film tries to have fun with mundane reality falling short of myth. Creatures such as centaurs and Cerberus, the three-headed hound of Hades, are placed in context and it’s intimated that Hercules's heroic status is a crafty con, but any amusement value is simply frittered away. Mainly the film is an excuse to watch lots of CGI battles featuring bearded, long-haired Johnson in a breastplate. As soon as it’s all over, it becomes hard to recall much else.

Extras for the Blu-Ray edition include an extended version, deleted scenes, interviews with Johnson and Ratner, and mini-docs on the weapons, the battles, the effects and the background behind Hercules’s gang of mercenaries.

Overleaf: Watch the trailer for Hercules

It tries to have fun with mundane reality falling short of myth but any amusement value is simply frittered away

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more film

Daft but endearing cult film, the first 'space musical'
The pioneering journalist E Jean Carroll's story is heartening, funny and troubling
A surprise Thai hit combines deadpan-dry humour with sharp-toothed social commentary
School shootings and social media alienation queasily satirised
Enthralling and witty political drama from 1960s East Germany
Matt Damon stars in Christopher Nolan's IMAX-sized recreation of Homer's epic poem
Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary