12 Films of Christmas: Merry Christmas, Mr Lawrence | Film reviews, news & interviews
12 Films of Christmas: Merry Christmas, Mr Lawrence
David Bowie and Tom Conti wrestle with honour, identity and the burdens of the past in Japanese POW camp
David Bowie already had a bit of previous with Christmas, of course, after pa-rum-pa-pumpum-ing through the tinsel with Bing back in 1977. He plays a very different kind of drummer boy in Nagisa Oshima’s uneven but oddly haunting 1983 film, in which he stars alongside Tom Conti (last seen in Miranda, of all things) and Ryuichi Sakamoto.
Bowie is Major Jack Celliers, one of four military men, each one trapped in very different ways, in a Japanese POW camp on Java in 1942. While Conti's John Lawrence is the film's moral compass, his rancour laced with decency and respect as he clashes with senior sergeant Hara (Takeshi Kitano), the quietly rebellious Celliers and conflicted Captain Yonoi (Sakamoto) play out a more complex, sublimated game of emotional and physical cat-and-mouse. Much is left unsaid or unexplained, as you might expect from Oshima, director of the infamous In the Realm of the Senses (1976), but the depth of emotional intent cuts through in a film exploring the nature of power, loyalty, honour, ritual and cultural identity, as well as the secrets of the past and the taboo of homosexuality.
The simmering tension comes to a head on Christmas Eve. The climactic kiss Celliers plants on Yonoi – a soldier’s kiss, formal yet freighted with resonance – proves seismic. Later, Yonoi takes a lock of hair from Celliers, who has been buried up to his neck in the unforgiving sun and left to die.
Conti is terrific while Celliers remains Bowie’s most convincing film role alongside Newton in Nic Roeg’s The Man Who Fell to Earth. It’s a far from flawless movie - the mixture of naturalistic Western acting and the overwrought, maxed-up Japanese style is an uneasy one, although that's partly the point - but it casts a dream-like spell which lingers long after the final frame.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The expats are back in that rare sequel that betters its predecessor
Superlative performances in Mike Leigh's ravishingly filmed hyper-biopic
Hungarian allegory on racism and the rise of the far right fails to cohere
Smart, striking horror starring Maika Monroe and directed by David Robert Mitchell
Marlon Brando bombs in ludicrous Michael Winner-directed prequel to 'The Turn of the Screw'
Flattest ceremony in years honours 'Birdman', Eddie Redmayne and Julianne Moore
One woman's kink is another woman's poison in Peter Strickland's bracing erotic romance
Gruelling and action-packed story of a tank crew battling across Nazi Germany
Jennifer Aniston aims for awards-season big time and misses
Observation of Ukraine revolution remains just that
Elia Kazan’s multi-faceted drama still provokes
Not even Michael Mann can make cyberhacking come to life on the big screen