wed 30/07/2014

Hughes, BBC Philharmonic, Gruber, Bridgewater Hall, Manchester | Classical music reviews, news & interviews

Hughes, BBC Philharmonic, Gruber, Bridgewater Hall, Manchester

A comic fairytale and Goehr's self-portrait flank Mahler lieder

BBC Philharmonic conductor-composer H K Gruber

“The north wind doth blow and we shall have snow.” And how! The BBC Phil’s composer/conductor H K “Nali” Gruber could not have timed the UK premiere of his Northwind Pictures better. We were ready targets for his shattering evocation of the wind with every device at the percussionists’ disposal and a large hand-cranked wind machine. The boys in the back row had a great night out.

A one-movement piece, it is derived from his comic fairy-tale opera Der Herr Wind (Mr North Wind), successfully premiered by Zurich Opera in 2005. You don’t need to know the story to get something out of the music, but it helps. In order to help a farmer and his wife, the wind, who is not allowed by God to stop blowing and sweeping their crops away, gives them a magic box of food to last forever. It is stolen by monks, so he gives them another box, this time filled with baseball players who will beat up anyone who steals it. However, in the end Mr and Mrs North Wind blow everything away.

Sometimes, they can sound slightly out-of-tune, like macabre memories

So, it is a picturesque suite or symphonic poem, offering solo spots for pretty well every section of the orchestra, as instruments replace the soloists in the original opera: trombone, saxophone, harp, viola, violin (with foot stamping) and the rest. It is visually as well as aurally diverting. The whole experience is like a musical rollercoaster ride lasting 25 minutes, which chucks you off at the end exhilarated and exhausted. But it isn’t all sound and fury. There are times when the strings are almost inaudible, responding to Gruber’s super-pianissimo demands. There are also times when you want to run for cover from the super-fortissimo orchestra in full throttle.

For a curtain-raiser to his work, Gruber turned to his compatriot and collaborator in the Viennese avant-garde ensemble, “die Reihe” (“the series”) in the late Sixties, Friedrich Cerha. His Viennese Kaleidoscope harks back to popular tradition and the folk roots of his childhood. Again, this work is a derivation from two of his original song cycles, the Keintate (a pun on cantata), inspired by the dialect poet Ernst Kein.

What he gives us in 20 minutes are 11 brief sections capturing, often ironically, marches and dances (polka, galopp, quadrille, waltz). Sometimes, they can sound slightly out-of-tune, like macabre memories. He plays with the forms – for example, the polka is offered on pizzicato strings and then on xylophones. It all ends with a jolly pot-pourri stirring up the can-can.

Add comment

The content of this field is kept private and will not be shown publicly.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Use to create page breaks.

More information about formatting options

By submitting this form, you accept the Mollom privacy policy.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters