Classical Music CDs Round-Up 7 | reviews, news & interviews
Classical Music CDs Round-Up 7
Classical Music CDs Round-Up 7
From Scarlatti to, er, Deep Purple's keyboardist: this month's releases considered
Saturday, 24 April 2010
The moustachioed member of Deep Purple is now a classical composer: Jon Lord with colleagues in 1973
This month’s eclectic selection of new releases includes offbeat performances of Berlioz and Mahler, a neglected masterpiece by Swiss composer Frank Martin, Bach performed in two contrasting styles, Schubert piano music, a Roussel symphony and an intriguing disc of orchestral music by a young French composer. We also have music composed by the former keyboard player of Deep Purple, Brahms’s German Requiem, a pair of rare Stravinsky ballets and a wonderful new set of Tchaikovsky’s piano concertos. Earlier delights are provided by a selection of motets sung by a renowned countertenor and a selection of Scarlatti cantatas.
This month’s eclectic selection of new releases includes offbeat performances of Berlioz and Mahler, a neglected masterpiece by Swiss composer Frank Martin, Bach performed in two contrasting styles, Schubert piano music, a Roussel symphony and an intriguing disc of orchestral music by a young French composer. We also have music composed by the former keyboard player of Deep Purple, Brahms’s German Requiem, a pair of rare Stravinsky ballets and a wonderful new set of Tchaikovsky’s piano concertos. Earlier delights are provided by a selection of motets sung by a renowned countertenor and a selection of Scarlatti cantatas.
more Classical music
Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall review - electrifying teamwork
High-voltage Mozart and Schoenberg, blended Brahms, in a fascinating programme
Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - enchantment in Mozart and Strauss
Leading French soprano shines beyond diva excess
Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manchester review - three flavours of Vienna
Close attention, careful balancing, flowing phrasing and clear contrast
Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbican review - blazing French masterpieces
Poulenc’s Gloria and Berlioz’s 'Symphonie fantastique' on fire
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review - joy in teamwork
A great pianist re-emerges in Schumann, but Beamish and Mendelssohn take the palm
First Persons: composers Colin Alexander and Héloïse Werner on fantasy in guided improvisation
On five new works allowing an element of freedom in the performance
First Person: Leeds Lieder Festival director and pianist Joseph Middleton on a beloved organisation back from the brink
Arts Council funding restored after the blow of 2023, new paths are being forged
Classical CDs: Nymphs, magots and buckgoats
Epic symphonies, popular music from 17th century London and an engrossing tribute to a great Spanish pianist
Sheku Kanneh-Mason, Philharmonia Chorus, RPO, Petrenko, RFH review - poetic cello, blazing chorus
Atmospheric Elgar and Weinberg, but Rachmaninov's 'The Bells' takes the palm
Daphnis et Chloé, Tenebrae, LSO, Pappano, Barbican review - lighting up Ravel’s ‘choreographic symphony’
All details outstanding in the lavish canvas of a giant masterpiece
Goldscheider, Spence, Britten Sinfonia, Milton Court review - heroic evening songs and a jolly horn ramble
Direct, cheerful new concerto by Huw Watkins, but the programme didn’t quite cohere
Marwood, Power, Watkins, Hallé, Adès, Bridgewater Hall, Manchester review - sonic adventure and luxuriance
Premiere of a mesmeric piece from composer Oliver Leith
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