wed 16/05/2012

CD: Pavel Novák - 24 Preludes and Fugues | Classical music reviews, news & interviews

CD: Pavel Novák - 24 Preludes and Fugues

Religious angle on classical forms reinvents Bach keyboard cycle

Pavel Novák's '24 Preludes and Fugues': modern concept, biblical inspiration
Pavel Novák's '24 Preludes and Fugues': modern concept, biblical inspiration

Pavel Novák is a composer I know something about because he has been much played by the Schubert Ensemble, who were for a time resident at Cardiff University, where I teach. But broadly speaking his music is virtually unknown in the UK. When William Howard played these 24 Preludes and Fugues in St Giles' Cripplegate four years ago, hardly anyone came to hear them – perhaps not surprisingly. Obscure Czech piano music in a chilly City church in December is hardly the most enticing prospect. But now that Howard has made a brilliant, compelling recording of this 75-minute cycle, its composer’s British reputation might (or should) expand.

Now in his mid-fifties, Novák is an established figure in Prague and his native Brno, the author of five symphonies, half a dozen string quartets and a lot else. But I doubt if he has written anything quite like these preludes and fugues. In his sleeve note, David Matthews usefully compares them to Ligeti’s Études; they similarly reinvent a classical (in this case Bachian) concept in modern terms. They have the same kind of brilliance and at times the same extreme simplicity. They are clear, concentrated, limpid, exquisitely written for the piano.

Their inspiration, though, is biblical: four books, two Old Testament (individually titled), two New, where the form begins to assemble very short pieces into longer spans with overarching titles. Novák is a daring, fascinating rethinker. His fugues are rarely “fugal” (ie, complicated, multi-linear), but rather vestigial, sometimes actually unison, in one case literally a mere seven notes: a fugal ghost. The preludes are generally richer, more graphic, tending to spiral off into bravura writing. The contrasts are telling: a narrative of sorts, but one with a purely musical discourse, and an elusive spirituality.

Anyone who gets on well with Ligeti or, for a different comparison, Shostakovich’s preludes and fugues, will find Novák’s music absorbing in the same sort of way, on its own scale. This finely recorded and presented CD ought to put it on the map.

Add comment

The content of this field is kept private and will not be shown publicly.
  • Web page addresses and e-mail addresses turn into links automatically.
  • Use to create page breaks.

More information about formatting options

CAPTCHA
This question is for testing whether you are a human visitor and to prevent automated spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

New! Theartsdesk Jobs

Barbican's picture

Join the Barbican Ambassador Scheme

Barbican

Salary: Casual Paid Position

Area: London

Closing Date: Fri, 18/05/2012

Yvonne Arnaud Theatre's picture

Operations Manager F/T

Yvonne Arnaud The...

Salary: £30,000+ per annum. Depending on experience.

Area: South East

Closing Date: Mon, 28/05/2012

Garsington Opera at Wormsley's picture

Artistic Director

Garsington Opera ...

Salary: see job description for further information

Area: South East

Closing Date: Sat, 19/05/2012

Royal Academy of Dance's picture

Examinations Operations Manager

Royal Academy of ...

Salary: £26,000 – £31,000 pa / Full-time

Area: London

Closing Date: Fri, 18/05/2012

Latest in today

Felicity Kendal's Indian Shakespeare Quest, B...

The actress embarks on a travelogue with a difference

Falstaff, Royal Opera House

Splendid cast aside, Robert Carsen's new production peaks too soon

Detroit, National Theatre

Lisa D'Amour's lament for community set in American suburbia crac...

Silk, Series Two, BBC One

Cynicism and mixed motives in return visit to Shoe Lane Chambers

Interview: 10 Questions for Spoek Mathambo

The Afro-Futurist star on going from a sexed-up rap prince to post-genre ba...

The Dictator

Sacha Baron Cohen favours gross-out over satire as an autocrat in New York

facebook

Free Newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday - free!

Simply enter your email address in the box below

View previous newsletters