Visual arts
fisun.guner
Detail of the 's-Hertogenbosch choir screen from the V&A's new Medieval and Renaissance Galleries
From the façades of whole buildings to rosary beads intricately carved in ivory to depict the minuscule forms of ghouls and corpses, the Victoria & Albert Museum’s Medieval and Renaissance Galleries tell the extraordinary story of 1,300 years of European art, design and architecture.Covering the period between the fall of the Roman Empire and the conclusion of the High Renaissance in 1600, the galleries offer a compelling journey. It begins, in fact, where the story ends, with a themed display called the Renaissance City. Here you’ll find 16th-century Italian street lamps, walls studded Read more ...
sheila.johnston
Untitled, Richard Wright's Turner Prize-winning exhibit at Tate Britain
Richard Wright's work celebrates impermanence but his election last night as the 2009 Turner Prize winner - an award which brings with it a purse of £25,000 - has guaranteed it a sort of immortality. The Glasgow-based painter's major piece currently on display at Tate Britain is an enormous, luxuriant and ornate symmetrical fresco painted in shimmering gold leaf which commands the otherwise virtually empty room it occupies. Wright's is the most traditional of the four shortlisted shows at the Tate Britain. Conceived in response to the parameters of each individual space (a video on view at Read more ...
Ismene Brown
We watch and listen simultaneously so much today that it hardly seems blasphemous for a superlative pianist to decide to conceive an evening of piano music plus video installation. Leif Ove Andsnes has doubts about the transmittability of classical music to a general audience today - he calls the status quo into question, and he may be right. So he turned a concert programme into a video show, focusing on Musorgky’s Pictures at an Exhibition and Schumann’s Kinderszenen, to which would be set a visual installation around him and his piano.There is already a CD and DVD set out of this, which I Read more ...
Graham Fuller
Though he has yet to make a perfect film, the director Tim Burton’s choice of Gothic and fantasy subjects and his deadpan, post-expressionist approach to them rightfully designate him an auteur of considerable genius. His 14 movies to date have earned him a cohesive retrospective at New York’s Museum of Modern Art. But not content with this, the museum has also mounted an exhibition consisting of over 700 items, including scores of paintings and drawings, as well as costumes and figures from the films, Polaroids, videos and student films, and specially created installations; there's also a Read more ...
sheila.johnston
The Melancholy Death of Oyster Boy and other stories (1998), pen and ink, watercolour on paper
To accompany our review of the spectacular and extensive exhibition dedicated to Tim Burton at the Museum of Modern Art, New York, we present a tiny selection of the 700-plus works on display there until 26 April 2010. Click on any of the images below to open the full view. The entrance to the MOMA exhibition (photograph: Michael Locasiano) The Green Man (1996-1998), oil and acrylic on canvas Creature Series (1992), acrylic on canvas Picasso Woman (1980-1990), pen and ink and watercolour on paper The Nightmare Before Christmas: Sally (1993), Polaroid Ramone (1980-1990), pen and ink, marker Read more ...
Joe Muggs
The site by night
A 15ft aardvark constructed from raw timber with a light-up robotic face and gigantic hands is climbing up one of the support pillars of the Westway, next to the body of a full-sized helicopter the front of which has been shaped into a grinning skull. Life-size rearing horse torsos made of white marble-like resin, with real horse skulls instead of heads, are mounted on the wheels of Victorian perambulators, while a man rides a clanking, hissing, fire-spitting motorised beast with stamping front legs and huge rear wheels around through the crowd as children caper about and their parents drink Read more ...
terry.friel
Water featured: I.M. Pei's Museum of Islamic Art
Rising spectacularly from the warm turquoise waters of Doha Bay, the building which is probably I.M. Pei’s final and perhaps his greatest work, the iconic Museum of Islamic Art, symbolises the cultural arms race among the Islamic Emirates strung out along the Gulf, on the flank of Big Brother Saudi Arabia.Pei, now 92, journeyed through the Muslim world in search of the inspiration to be able to reflect its artistic traditions. The result is an austere cubist design - the crowning level a minimalist limestone version of a woman’s veiled face that catches the changing light of the sun. On Doha’ Read more ...
william.ward
The rapturous reception for Zaha Hadid’s groundbreaking, breathtaking new confection in Rome, Il Museo dell’Arte del XXIesimo Secolo - the 21st-Century Art Museum (MAXXI for short) - has reopened for the umpteenth time one of Italy’s favourite cultural debates. Why the hell does it take so long to build anything decent in our capital city, especially when we have one of the finest traditions - if not the finest - in architecture, civil engineering and construction, of anywhere in the whole world?Well, “Rome,” as the old expression counselling patience in all things has it, “wasn’t built in a Read more ...
mark.hudson
The National Gallery is on a roll. Having enjoyed the surprise hit of the autumn with The Sacred Made Real, an exhibition of 17th-century Spanish religious art, the gallery now makes its first foray into installation art with by far the grungiest work ever to cross its portals: The Hoerengracht, a walk-through portrayal of Amsterdam’s red light district by the American sculptors Ed and Nancy Kienholz.Entering the Sunley Room – a space normally reserved for rather prim art-historical displays – you find yourself amid clapboard back alleys littered with dead leaves and beer cans. Peering into Read more ...
fisun.guner
Nottingham Contemporary is Britain’s newest art gallery. Built deep into a sandstone cliff in the city’s oldest site, its sturdy, squat exterior is clad in scalloped gold and pale green panels. Resembling your granny’s old net curtains, the green pre-cast concrete is moulded with a pattern of 19th-century lace, paying homage to the city’s Victorian traditional industry.Inside, the four gallery spaces are irregular in shape: only one is in the shape of a modernist white cube, the others have angled walls, their forms following the site’s natural geography. Two of the galleries are devoted to Read more ...
josh.spero
As questions go, "What is beauty?" is quite possibly only second to "What do women want?" in the frequency of its asking and in the difficulty of its answer. As the first programme in BBC Two and BBC Four’s Modern Beauty season, What Is Beauty? features Matthew Collings skirting around the edges of an answer and in doing so inadvertently hitting upon one.Collings tries to identify ten different components of beauty with reference to some of his favourite artworks. Piero della Francesca’s Madonna del Parto from Monterchi is beautiful because of its simplicity, Robert Rauschenberg’s Charlene Read more ...
sue.steward
Printing Kodak, 1890: female staff mass-producing albumen prints made using eggwhites from 100 chickens in the yard
“Photography is a refuge for failed painters,” declared the French poet, Charles Baudelaire around 1862. Yet photography took over a century to become a genuine family member of the art world. The British Library was slow to capitalise on the visitor value and historical significance of the vast photo-archive that it accumulated over the birth-period of this new artform. But its spectacular debut exhibition has burst open the vaults containing over 300,000 images, and now presents a magnificent production leading visitors on a journey back through time as the new art form was gradually Read more ...