Visual arts
fisun.guner
These days, it seems that approaching any new Saatchi exhibition, especially one that promises to be even bigger than all the previous ones held at the multi-galleried, three-storey Chelsea venue, makes the heart fairly sink. How much bigger, you want to ask, and why use size as a measure of anything? Surely there isn’t enough headspace to accommodate all those loud, clamorous, “look-at-me” artworks favoured by Saatchi all in one go? And this is just Part One. Part Two will be something to look forward to in late October. I’m probably not alone in feeling this. After all, this isn’t the Read more ...
Sarah Kent
Silhouetted against the sparkling waters of San Francisco Bay, a pelican surveys the scene from a quayside bollard, then takes flight. The beautiful opening shot of Tacita Dean’s Craneway Event establishes a mood of elegiac tranquility. We are at Ford Point, on the east shore of the bay, in a magnificent building – a Ford factory that made military vehicles in World War Two, but closed down in 1955. Floor to ceiling windows afford breathtaking views across the water and allow the California light to flood in, transforming the floor into a liquid sheen of shadows and reflections.In Read more ...
fisun.guner
Wood is a mysterious substance. We do not make it, it makes itself. It is useful to us, alive and dead. Without it, our history would not be the same. But it is so ever-present, so much a part of that history, that we rarely see the wood for the trees. David Nash has seen both the wood and the trees for years. To him, wood is life. The opening of this show says it all. Outside the first gallery is a huge eucalyptus, split into three by the sculptor. (Nash only works with “found” wood – from dead or dying trees, offcuts from tree-surgeons, or from wood yards – "wood Read more ...
sue.steward
In the week that Sarah Ferguson was caught on a secret camera receiving a stash of $40,000 from News of the World journalists, Tate Modern launched this ambitious and excitingly diverse photography exhibition. Had the meeting been earlier, the incriminating images would have been perfect for the show. Instead, the Royal Family is spied on in Alison Jackson’s unusually generous parody, The Queen Plays with her Corgis. Spread across 14 rooms, the collection holds over 250 still images and several short films, and includes work by legends from the early years and 20th-century icons (from Read more ...
fisun.guner
Picasso the genius, the sensualist, the womaniser, the priapic beast. This much we think we know of the great Spanish artist. But how about Picasso the political activist? Picasso the supporter of women’s causes? Picasso the… feminist? Oh, yes, that Picasso. In a landmark Liverpool exhibition focusing on the years 1944 to his death in 1973, and bringing together 150 works from around the globe, Picasso becomes all of these things. And having meticulously gone through the Picasso archives, curator Lynda Morris reveals an interpretative layer that has previously been ignored – or rather, the Read more ...
fisun.guner
The war was over, Picasso was finally free to leave the privations of Paris behind him and to spend more time in the South of France, marking a return to his Mediterranean heritage. The Gagosian Gallery’s exhibition, curated by Picasso’s distinguished biographer John Richardson and the artist’s grandson Bernard Ruiz-Picasso, focuses on those Mediterranean years, between 1945 to 1962, when the artist was moving easily between styles. Organised around the works from the private collection of the Picasso family, it features paintings, sculptures, linocuts and ceramics that have come to be known Read more ...
fisun.guner
From his tall column in Trafalgar Square, Admiral Lord Nelson won’t be able to glimpse the new work on the Fourth Plinth, since he faces the other way. But of all the works that have occupied this space – from Marc Quinn’s Alison Lapper Pregnant, to Antony Gormley’s One & Other – the latest must surely be the one that would please him most: a model of his own ship, HMS Victory, displayed in a huge bottle.From his tall column in Trafalgar Square, Admiral Lord Nelson won’t be able to glimpse the new work on the Fourth Plinth, since he faces the other way. But of all the works that have Read more ...
josh.spero
While wandering back from a meeting with a hedgie on Haymarket, I noticed a banner emblazoned with the logo of Browns, clothes shop to the well heeled (to mix metaphors), above the entrance to what appeared to be a building site. It was indeed a building site, off Marshall St, near Carnaby St, but two floors of the new apartment block there have been taken over by a pop-up exhibition to celebrate 40 years of Browns. Browns, ever since it was taken over by Joan Burstein in 1970, has always been one seam ahead of the pinking shears, which is why a pop-up museum makes perfect sense, although the Read more ...
fisun.guner
Forget about art “being about the idea” for a moment. Drawing from life is still considered by many to be the litmus test for proper artistic skill, or at least the foundation from which great art can arise. And so the enquiry, “But can he really draw?” is still one contemporary artists are confronted with by those not shy of asking what they consider an obvious question. And it has plagued abstract and modernist artists throughout the 20th century: the ability to draw figuratively as tradition dictates is so often seen as a benchmark from which everything else can be measured. When Read more ...
Joe Muggs
Great excitement at the Artes Mundi Awards in Cardiff’s National Museum last night as the UK’s largest cash prize for the winner of any UK contemporary art competition - a staggering £40,000 - was presented to the Israeli artist Yael Bartana. Two hours before the announcement, the judges were still undecided but the white smoke moment saw Bartana’s two films (part of an ongoing trilogy) land the cheque.Like many of the 500 contenders, Bartana works with documentary film. She applies it to interesting challenges to the meaning of Zionism today and plays with the idea of returning Polish Jews Read more ...
fisun.guner
Does form always have to follow function? Is ornamentation really such a heinous crime? Or is Modernism itself the enemy of the people? The second part of this excellent five-part series – fab archive footage, great interviews with designers young enough to no longer be beholden to the Modernist creed – focused on the founding of the Bauhaus and the Modernist aesthetic. And after juggling a lot of questions, it gently guided us towards more or less the same position as Tom Wolfe’s From Bauhaus to Our House, though in a far more respectful, design-conscious way: Modernism worked in theory but Read more ...
fisun.guner
Since its millennium opening, Tate Modern has managed to transform the landscape for the contemporary visual arts in Britain. This week it celebrates its 10th anniversary by inviting 70 of the world’s most innovative, independent art spaces to take over the Turbine Hall. No Soul for Sale – a Festival of Independents will see an eclectic mix of art, performance, music and film throughout the weekend. Organised in collaboration with Italian conceptual artist Maurizio Cattelan (most famous for his dead Pope John Paul II struck by lightning), the weekend promises visitors a chance to experience a Read more ...