Visual arts
hilary.whitney
Mick Rock (b 1948) captured some of rock's most provocative and memorable images: David Bowie at the height of his Ziggy Stardust androgyny; Debbie Harry looking every inch the Marilyn Monroe of punk; Lou Reed sweating beneath his Kabuki make-up - indeed, The Faces of Rock'n'Roll, as a new book surveying four decades of his photographs is titled.Rock’s skill as a photographer and his extraordinary sense of timing - in more ways than one - is indisputable but what makes his pictures particularly striking is that Rock was no mere observer: he wasn’t just part of the scene, he helped to launch Read more ...
fisun.guner
Albrecht Dürer painted himself as Jesus (pictured below). Luckily, he was blessed with the looks, the hair and the initials – echoing the geometry of his golden locks the A straddles the D in his inscribed paintings. And when this German messiah of painting died, his beguiling 1500 self-portrait – one of the most hypnotic ever painted in the history of Western art – was carried through the streets of Nuremburg, his birthplace: celebrated during his life, upon his death Dürer became a cult. A lock of that famous hair is kept at the Vienna Academy.It was this self-portrait that kick-started art Read more ...
fisun.guner
Those ancient Egyptians, they loved life! So much so that they even conceived of an afterlife that differed hardly at all from the one on Earth, only better: they didn’t get sick and they carried on just as before, to eternity – which might sound like a bore to some, but given that the average life expectancy for an ancient Egyptian - even a very rich one - was 35, a certain reluctance to leave the earthly realm was understandable.In the divine realm of The Field of Reeds, the lucky few would drive their oxen, plough the fertile fields and paddle their boats. If they didn’t fancy doing much Read more ...
judith.flanders
It is one of the enduring mysteries of Leon Kossoff’s art. How does someone who uses such thick, impastoed paint and such muddy, earth-toned colours make his work so light, so delicate, so filled with grace? The more you look, the more mysterious is becomes.
Kossoff has long been known for his paintings of architecture – Christ Church, Spitalfields (main picture, above) and the Kilburn tube station - or railway sidings, or building sites, using repeated visits, repeated canvases to create a way of depicting not merely changing light but changing moods and emotions. His long love affair Read more ...
fisun.guner
Give me a small side order of Cézannes over a great feast of Gauguins any day. This small, perfectly formed survey will surely be noted as one of the best exhibitions this year, the type of exhibition at which the Courtauld Gallery clearly excels: small, tightly focused, and exploring just one aspect of an artist’s output in order to illuminate his practice as a whole.This approach, though limited by resources, easily competes with that of the flashiest blockbuster. What’s more, it’s an approach that frequently outdoes the big tub-thumbing surveys. And given the paintings on view in this Read more ...
mark.hudson
If you'd been a painter at the time of Impressionism, what would you have done? Rushed to Paris to become a disciple of Manet or Monet? Taken the Symbolist route with Odilon Redon or headed to Brittany to whoop it up with Gauguin and co? No, the chances are you'd probably have got it wrong and, like the so-called Glasgow Boys, hitched your talents to a now virtually forgotten figure like Jules Bastien-Lepage. Jules who? Exactly.A loose group of some 20 painters, the Glasgow Boys worked at a time when Scotland’s industrial capital, the second city of the Empire, was asserting its cultural Read more ...
theartsdesk
It began with a review of 100 Years of German Song. Roused by a comment to a reader (see Igor's comment below), Fisun was moved to email Igor in support of his trenchant views on arts funding. It wasn't long before other writers at theartsdesk got involved and an eruption of lively and passionate emails followed. Some of these views may surprise our readers, some will undoubtedly annoy. But we at theartsdesk have decided to go ahead and publish, unedited, our unrehearsed and spontaneous exchange. We hope you'll enjoy, and join in, the debate.It began with a review of 100 Years of German Song Read more ...
Sarah Kent
Thomas Lawrence was a child prodigy; from the age of 11 he supported his family by making pastel drawings of the fashionable elite who spent the season in Bath. The next step for an aspiring young artist was to learn how to paint in oils and Lawrence taught himself by doing self-portraits. He learned fast. The first painting in this exhibition of sumptuous portraits shows a diffident 19-year-old sitting sideways and glancing nervously towards us, as though fearful that his efforts will be laughed at.Thirty-seven years on, we see him again (main picture). What a difference! He may have lost Read more ...
mark.hudson
Exhibitions about fashion tend to divide the public. Those passionately interested in fashion go to them; everybody else doesn’t. There’s a prevailing view that we already hear enough about top models, superstar designers and their attendant dramas through the media, the high street and the imposition of having to go and buy the stuff, without extending the experience into the art gallery. And that’s a crying shame, since London has had a whole wave of superb exhibitions highlighting the aesthetics of fashion – Skin & Bone, Viktor & Rolf, Maison Martin Margiela – that the general Read more ...
fisun.guner
Whether you think the weird world of Walter Potter is cute or creepy, there’s little doubt that the Victorian taxidermist, and creator of humorous tableaux in which fluffy creatures enact human scenarios, has acquired some standing in the art world. When his museum collection went under the hammer at Bonham’s in 2003, Damien Hirst, David Bailey, Harry Hill and Peter Blake each bid for valuable items. Now each has contributed to an exhibition that not only recreates part of Potter’s original museum, but invites us to celebrate the quirky art of the outsider artist.Baby rabbits that pore Read more ...
Adam Sweeting
The full-length version of Olivier Assayas's saga of Ilich Ramirez Sanchez, alias Venezuelan super-terrorist Carlos, was originally a three-part series for French TV and runs to five-and-a-half hours. Even the "short" cinema cut runs to two-and-a-half hours. Yet the director still felt it necessary to preface his opus with the warning that since many of Carlos's activities remained "grey areas" shrouded in mystery and ambiguity, it would be best to regard the film as fiction.Thus, you're never entirely certain what you've signed up to. The period detail, interpolated news footage recounting Read more ...
fisun.guner
Howard Jacobson, fresh from his Booker Prize triumph, was on an admirable mission last night: to rescue the good name of the Victorians. He wanted us to stop caricaturing our 19th-century forebears as prudish, self-righteous, pompous and hypocritical - you know, the sort of people who were so repressed that they went about covering piano legs in case thoughts should turn to the sensual curve of a lady’s well-turned ankle, but who were also notorious for sexual peccadillos involving underage maidservants, and worse.In other words, so maligned and misunderstood did he think the Victorians had Read more ...