Guy Oddy
Bio
Guy has been a regular New Music album and gig (and very occasionally Film and Theatre) reviewer for theartsdesk since 2013. He is also works as the Development Officer at B:Music, raising money for community, education and capital projects at Birmingham's Town Hall and Symphony Hall. Guy first had a music review published while he was a student at Manchester Polytechnic, when Spacemen 3 visited the Hacienda in 1989 to lay down their trippy psychedelia for an appreciative but not especially large audience. Since then, he has written for a number of publications (some of which have long-since disappeared), including Pulp, Beat Mag and the i newspaper.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Language is a weapon in the RSC’s vigorous adaptation of Cyrano de Bergerac – we feel viscerally that wordplay is just one letter away…
VINYL OF THE MONTHEd O’Brien Blue Morpho (Transgressive)
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The last thing…
Terrorists are monsters. Or so we are told – pure evil. Well, it makes a good story. Even if it isn’t completely true. Actually, most…
Judging from her second album, young country singer Willow Avalon has kissed her fair share of frogs. She doesn’t let them off the hook.…
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“Keys to Your Heart,” the only single by Joe Strummer’s pre-Clash band The 101’ers, was released on 27 June 1976 – 50 years ago this week.…
You might think the spy thriller is a genre which has been worn out and abused to death, but this second series of The Agency is here to…
The Royal Northern College of Music put four of its brightest hopes on show in last night’s big end-of-year concert at the Bridgewater Hall…
Ben Ockrent’s Relics had me hooked from the moment the safety curtain started rising: a metal number with a banner of packing tape marked…