We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

Arthur Miller is constantly being revived on London stages, and constantly remains relevant. However, his most popular plays are those from…

CMAT knows how to make an entrance. The opening of this show, in common with the rest of her tour, featured her band assembling onstage…

As a disillusioned ex-admirer – like so many – it’s with a degree of dread that I approach Morrissey’s 14th solo album (the first for…

It’s that time of year again. The 2026 Formula 1 season kicks off in Melbourne this coming Sunday, and as night follows day, here’s the…

Birgitta Trotzig’s Queen is a strikingly poetic, persistently grim semi-fairy tale set at one of the edges of Europe: a strange, windswept…

I’ll never forget watching Tracey Emin reduce an audience to tears at the Royal Festival Hall. About 25 people were expected, but some 500…

The indomitable Nicolas Kent has devised a new theatre piece to prick our consciences and refocus our minds, after his sterling work on the…

The Somnambulist, the debut album from Lunar & The Deception, showcases a goth-leaning rock which is imbued with a good dash of the…

Pretty much any performance of Mahler’s “Resurrection” Symphony is a special occasion, but this one perhaps more so than most. For one…