mark.pappenheim
Bio

Mark was arts editor and music critic of the Independent and has written on music for the Daily Telegraph, Evening Standard, Daily Express, BBC Music Magazine, Classic FM Magazine and Opera magazine among others. He has been editorial consultant to the BBC Proms since 1998 and edited programmes for Glyndebourne, WNO, the Barbican and the Brighton Festival.

articles by mark.pappenheim

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
I still retain a vivid memory of a concert in London’s Queen Elizabeth Hall in December 2013 at which Hungarian composer György Kurtág and…
Jonathan Lynn has resurrected the two characters he and the late Antony Jay created in the 1970s, billing his new play the “final chapter…
Phyllida Lloyd’s production of Peter Grimes, first seen 20 years ago, is still one of the jewels in Opera North’s treasury. It was revived…
Sir Charles Mackerras: The Complete Warner Classics Edition (Warner) Image That Sir…
It’s been a long wait. More than five years have passed since Maria Schneider’s most recent "magnum opus", the double album Data Lords came…
Visual artists gave up on titles long ago, resorting to neutral labels such as Untitled. Choreographers still feel bound to tag their works…
Would you want to marry a spy? After watching Betrayal, probably not.Writer David Eldridge has used the paradigm of the secret world as a…
In 2007, Pina Bausch was preparing her company’s latest “city piece”, this one based on a visit to Kolkotta. But she was also brewing up…
Kahchun Wong is continuing to put his own stamp on landmark works of the mainstream repertory with the Hallé. This time it was Beethoven’s…