mark.pappenheim
Bio

Mark was arts editor and music critic of the Independent and has written on music for the Daily Telegraph, Evening Standard, Daily Express, BBC Music Magazine, Classic FM Magazine and Opera magazine among others. He has been editorial consultant to the BBC Proms since 1998 and edited programmes for Glyndebourne, WNO, the Barbican and the Brighton Festival.

articles by mark.pappenheim

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The title doesn’t refer to a void into which detectives disappear, but to Harry Hole, the fictional Norwegian sleuth created by novelist Jo…
It’s hard to describe this hot mess of a film without divulging the entire plot. And even if you did, you’d struggle to convey the scabrous…
Immaturity is a virtue in Kirill Sokolov’s action-horror-comedy, a slapstick class satire set in an exclusive New York apartment block…
After Barber Shop Chronicles comes a female slice of pan-African life, set in Harlem in July 2019, at the fag end of Donald J Trump’s first…
Stagefront are two silhouetted figures, heads at a strange angle. Like hanged men. Beside each is a robed demon sentinel with a burning…
In its heyday, Rodney Ackland’s 1935 play The Old Ladies, adapted from a 1924 novel by Hugh Walpole, was a favourite with doyennes of the…
The Kurdish singer Aynur opened her current European tour in Bristol, presenting music that's rooted in ancient tradition but explores…
José González is one of those musicians who is well known without many recognising it. Until that is, someone plays his most known track “…
Blackpool Cool is the third and last album by Glasgow’s Head. Issued in 1977 on the band’s own Head Records label, it was preceded by 1973’…