West End
Catherine Bohart, Soho Theatre review - anatomy of a break-upMonday, 14 March 2022
Catherine Bohart had a more eventful lockdown than most, as it marked the end of a five-year relationship and what she describes as a sort of breakdown followed. To add insult to injury, the break-up came not along after she and her girlfriend,... Read more... |
Saturday Night Fever, Peacock Theatre review - crowd-pleaser stays true to its rootsThursday, 17 February 2022
Wind the clock back 45 years and the Big Apple was bankrupt, the lights had gone out and many native New Yorkers were packing their bags. Gangs controlled whole neighbourhoods, drugs were the currency of choice and, for a kid with no college,... Read more... |
Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapismFriday, 21 January 2022
One of the many theatrical casualties of Omicron in December was the official UK opening of Moulin Rouge!, the stage version of Baz Luhrmann’s indelible 2001 film that has already racked up 10 Tony Awards for its 2019 Broadway production (albeit in... Read more... |
Best of 2021: TheatreThursday, 30 December 2021
There was no live theatre at the start of 2021, just a return to the world of virtual performance and streaming to which we had become well accustomed, and very quickly, too. So imagine the collective surprise come the start of this month as show... Read more... |
Life of Pi, Wyndham's Theatre review - visually ravishing show uplifted by astonishing puppetryFriday, 03 December 2021
When the Canadian Yann Martel went to India as a young adult backpacker he fell in love – not with one person but with the rich imaginative landscape opened up by its religions and its animals. A struggling writer at the time, he channelled this new... Read more... |
Stephen Sondheim in memoriam - he gave us more to seeTuesday, 30 November 2021
It seemed impossible and yet, the other evening, while idly flicking through emails, I learned the unimaginable: Stephen Sondheim, age 91, had passed away. And very quickly by all accounts, given that he was reported to have enjoyed a Thanksgiving... Read more... |
Vanya and Sonia and Masha and Spike, Charing Cross Theatre review - Tony-winning play checks out ChekhovWednesday, 17 November 2021
Vanya and Sonia and Masha and Spike has taken eight years to reach the London stage, which is surprisingly long for the Tony Award winner for Best Play of 2013: the pandemic, unsurprisingly, didn't help. But in a burst of somewhat un-Chekhovian... Read more... |
Get Up, Stand Up!, Lyric Theatre review - knockout performance, undercooked bookFriday, 22 October 2021
Can we turn off the script and simply leave the music to do its soul-stirring bit? That's likely to be a not uncommon response to Get Up Stand Up!, which gives Bob Marley much the same biomusical treatment currently on view in Tina across... Read more... |
The Mirror and the Light, Gielgud Theatre review - nobody expects the Spanish InquisitionFriday, 08 October 2021
The first two stage adaptations of Hilary Mantel’s Thomas Cromwell trilogy, Wolf Hall and Bring Up the Bodies – written by Mike Poulton, way back in 2014 - were a very different beast from the novels, but they were at least eyecatching plastinations... Read more... |
The Last Five Years, Garrick Theatre review - bittersweet musical treat gets West End upgradeSaturday, 25 September 2021
Much has happened in the five years since your reviewer braved the steep rake at The Other Palace and saw The Last Five Years (not least my now getting its “Nobody needs to know” nod in Hamilton – worth a fistful of Tonys in prestige, I guess) so it... Read more... |
Anuvab Pal, Soho Theatre review - Empire and Bollywood collideMonday, 20 September 2021
Anuvab Pal may be a new name to some UK audiences (although many will know him from the global satirical podcast The Bugle), but he is well known in his native India. And it is with a wry look at Indian history – and the British role within it –... Read more... |
Olga Koch, Soho Theatre review - personal, political and playfulMonday, 13 September 2021
Olga Koch – born in Russia to ethnic German parents, multilingual and now living in London – might fit into the group that Theresa May once dismissed as “citizens of nowhere”, whatever that phrase means. But Koch turns that on its head in her new... Read more... |
