war film
sheila.johnston
A field of sunflowers hang their heads, as though in shame or sorrow, to the deep thrum of a single chord in the film's opening shot, at once beautiful and threatening. But that is about the only breath of fresh air in the whole of the movie. Set on the first day of the 1982 Lebanon War, it proceeds for the rest of its duration to trap us, along with four terrified young Israeli soldiers, inside the confines of their tank, a monstrous apparition fetid with stale cigarette smoke, sweat and blood and a fifth character in its own right.It sounds like the recipe for a stage play, even a Read more ...
Jasper Rees
From The Bridge on the River Kwai onwards, the Japanese haven’t tended to come up smelling of roses in war movies. Kind of unsurprisingly. In recent years it was Clint Eastwood who moved the story on. In Flags of Our Fathers he painted the Japanese military as the yellow peril, but gave them the benefit of the doubt in Letters from Iwo Jima, the other half of his Pacific diptych. City of Life and Death attempts to do in one film what Eastwood split into two: a portrait of the Japanese war machine as a manifestation of pitiless amorality; and the component parts of that machine as Read more ...
Adam Sweeting
It seems both Matt Damon and director Paul Greengrass felt it was time to leave the Bourne franchise on the shelf for a while, fearing they would corner themselves into making The Bourne Redundancy. Instead, they have transposed their working partnership into this Iraq war saga. The result is a fast-moving conspiracy thriller, but with an underpinning of actualité in the way Greengrass alludes to a war waged on a false premise, and spotlights the criminal ignorance and stupidity of American attempts to rebuild Iraq. These latter aspects of Brian Helgeland’s screenplay derive from the book Read more ...
sheila.johnston
Kathryn Bigelow made Hollywood history last night at the 82nd Academy Awards by becoming the first woman to be named Best Director for The Hurt Locker, which also won for Best Picture. Her brilliant, low-budget Iraq war drama was the big winner at the ceremony, bagging six statuettes as against three Oscars for the co-favourite, Avatar, the sci-fi extravaganza directed by Bigelow's ex-husband James Cameron. The four acting awards were utterly unsurprising and it was a lean night indeed for the Brits, although the respected costume designer Sandy Powell - previously a laureate for Shakespeare Read more ...
theartsdesk
There's a strong distaff presence in theartsdesk's third DVD round-up. The headline film is Kathryn Bigelow's superb war thrillerThe Hurt Locker, currently mopping up awards in the US and a hot favourite for the Oscars. Also in the mix: Audrey Tautou as the redoubtable doyenne of French fashion in Anne Fontaine's Coco Before Chanel and Julie Christie in Sally Potter's avant-garde 1983 debut feature The Gold Diggers. Fear not, however: a robust testosterone level is maintained by Quentin Tarantino's Inglourious Basterds, by the hit stag-party comedy The Hangover and by Antichrist, Lars Read more ...
ryan.gilbey
The raucous young lads swaggering down the streets of a charred, deserted town could be the Lost Boys in an African production of Peter Pan. Some are in their late teens, others are no older than 10 or 11, but most are decked out in fancy-dress garb and accoutrements which suggest a recent dip in the dressing-up box.One is sporting a Santa Claus hat, another a pair of wings; there is a crash helmet, beads, a neon-red wig. These are child soldiers in an unspecified modern African country, and they are wearing whatever they have managed to steal from their victims as they’ve rampaged from one Read more ...