Vienna
Roderick Williams, Nash Ensemble, Wigmore Hall review - sunshine and serenityMonday, 21 November 2022
The Nash Ensemble’s concerts dedicated to “Beethoven and the Romantics” not only trace the flowering of the Romantic spirit in music from the Vienna of the 1800s through a continent and across the century. They also give a place at the top table for... Read more... |
Mayerling, Royal Ballet review - a masterpiece of storytelling, darkly grippingSaturday, 08 October 2022
Although the loss of its 96-year-old royal patron can hardly have come as a surprise, Covent Garden has been slow to register it. The gold-embroidered ERs on those luscious red velvet stage curtains remain in place, and when Wednesday night’s... Read more... |
Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delightMonday, 06 December 2021
Measure for Measure may be the quintessential Shakespeare “problem” play, but just what has earned it that epithet remains a puzzle. Each generation approaches the matter from its own perspective. The developments of recent years, #MeToo most of all... Read more... |
Der Rosenkavalier, Garsington Opera review - musical marvels, drama less often fulfilledFriday, 18 June 2021
Whatever else happens on the country opera scene this summer, the golden rose award for sheer chutzpah goes to the ever-ambitious Garsington team in pulling this off in no small style. Planning any production of Richard Strauss and Hugo von... Read more... |
Netrebko, Met Stars Live in Concert online review - flashy performance from operatic powerhouseTuesday, 09 February 2021
Though the global pandemic has brought about an unprecedented degree of isolation, it’s also, in unusual ways, brought us together too. Visiting New York’s Metropolitan Opera House is currently an impossible dream - the house is still completely... Read more... |
Vienna New Year’s Day Concert, BBC Two/Radio 3 review - noble integrity and missionary zealSaturday, 02 January 2021
“Without a care” (Ohne Sorgen, the title of a fast polka by Josef Strauss performed here with deadpan sung laughs from the players) was never going to be the motto of a Vienna Philharmonic concert without an audience. Introspection and even sadness... Read more... |
First Person: conductor Johannes Vogel on Beethoven’s Ninth as re-orchestrated by MahlerThursday, 17 December 2020
Think of the finale at a big fireworks show: the anticipation; the build up. There is nothing bigger than the Ninth Symphony. It is the climax of this year’s Beethoven celebrations. A year ago, no-one would have expected 2020 to be turned upside... Read more... |
BBC Proms live online: Viennese Night review - sophisticated pleasuresTuesday, 01 September 2020
Viennese operetta is like that other great Central European treat, goulash. It comes in many forms. In Vienna it’s coffeehouse comfort food; in Slovenia they add bacon for a smoky tang. And in the marketplaces of Transylvania it comes in bubbling... Read more... |
Amadeus, National Theatre at Home review – wild dance at the edges of sanityFriday, 17 July 2020
It is 41 years since Peter Shaffer ripped off Mozart’s respectable façade to reveal a foul-mouthed verbally incontinent child-man with no more ability to control his behaviour than his genius. Inspired by a short story by Alexander Pushkin that put... Read more... |
Freud, Netflix review - hysteria and horrorThursday, 11 June 2020
Anyone expecting, as I was, a reverend and slightly earnest miniseries about Sigmund Freud's early professional years will be in for a surprise, and mostly in a good way. This, in short, is horror-schlock directed by Austrian specialist in the genre... Read more... |
Andsnes, Mahler Chamber Orchestra Soloists, Wigmore Hall review - conversations with MozartFriday, 21 February 2020
Leif Ove Andsnes’s long-term partnership with the Mahler Chamber Orchestra has already yielded rich fruit, and the Mozart quartets and trio he performed last night with members of the top-notch nomad band proved just as succulent. However, I would... Read more... |
Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessibleFriday, 14 February 2020
It’s not uncommon for playwrights to begin their careers by writing what they know, to co-opt a frequently quoted precept about authorial inspiration. So it’s among the many fascinations of Leopoldstadt that Tom Stoppard, at the age of 82, should... Read more... |
- 1 of 8
- ››
