thrillers
Saskia Baron
This might just be the most challenging film review I’ve had to write in decades. The best thing would be to go and see Border knowing nothing more than that it won the prize for most innovative film at Cannes. Don't watch the trailer, and definitely don’t read those lazy reviewers who complete their word count by writing a detailed synopsis ruining every reveal and plot twist. Border is simply brilliant and best seen clean, although a duty of care means that viewers of a delicate disposition are warned that there’s a significant amount of body horror on screen. Fans of David Cronenberg, Read more ...
Katherine Waters
Bea and Dan are a young married couple. They have a mortgage on their small flat in Holloway and met while out clubbing in Peckham. She’s a plain-looking, modest and hard-working psychotherapist; he’s putting in the hours as an estate agent having put his artistic aspirations on ice. Typical millennials. They’re in love. Or rather, we’re told they’re in love. In fact, we’re told rather a lot of things - it seems to be the book’s mode. Dan is mixed-race, was brought up in Peckham by his mum and hasn’t been abroad all that much: “I’m a city boy, aren’t I? And I don’t speak French.” Bea, on the Read more ...
Marina Vaizey
Great libraries burning, historians murdered: someone somewhere is removing the past by obliterating the ways the world remembers. Erasing the histories of slavery and the Holocaust, of blacks and Jews, is just the beginning. The premise of Sam Bourne’s thrilling novel is the existence of a conspiracy to annihilate all the evidence of historic atrocities through the millennia. Books, of course, must go, and in a neat twist even the biggest book distribution centres, Amazon included, are targeted. Bourne’s great gift is to take reality and give it a good shove, a what if? that we are persuaded Read more ...
Saskia Baron
It’s another night in an emergency services dispatch room in Copenhagen. Policeman Asger Holm has been taken off active patrol pending a conduct investigation and is stuck on the phones. Drunks, druggies, posh blokes complaining of being mugged in the red light district, he’s pretty brutal with these time-wasters. Then a call comes in from a desperate woman. She's pretending she’s phoned her child but has been kidnapped by a man who’s driving her to an unknown destination. Can Asger work out where she is, keep her on the line, and get the patrol car to her in time?The Guilty is a Read more ...
Markie Robson-Scott
A Tana French crime novel is never just a thriller. Probably more acclaimed in the USA than the UK (she gets rave reviews in the New Yorker and the New York Times) French always transcends the genre, stylistically, emotionally, atmospherically.Her Dublin Murder Squad series, with its detailed police procedurals, is addictively many-layered: in the chilling Broken Harbour, the collapse of the Irish housing boom forms a menacing backdrop to family crack-ups, a multiple murder and a detective who feels the presence of evil as a “high hum” in his skull; in The Secret Place, a girls’ boarding Read more ...
alexandra.coghlan
The flayed corpse of a dead seal hangs red and grotesque at the back of the stage. It’s a placeholder; we know that by the end of Anthropocene – Scottish composer Stuart McRae’s latest collaboration with librettist Louise Welsh – something more familiar, and far more horrifying, will take its place.It’s the same trick we hear in McRae’s skilfully crafted score, which opens in teeming musical activity. The orchestra scuttles and ticks with nervous animation. But while the sense is of motion, the harmony remains resolutely rooted, unmoving – a musical block of ice trapping life, confrontation Read more ...
Graham Fuller
Burning, which is the first film directed by the Korean master Lee Chang-dong since 2010’s Poetry, begins as the desultory story of a hook-up between a pair of poor, unmotivated millennials – the girl already a lost soul, the boy a wannabe writer saddled with a criminally angry father. The addition of a Porsche-driving third millennial with a swanky apartment in Seoul’s Gangnam District not only ramps up the tension between the two instantaneously but creates one of the most infernal romantic triangles in modern Asian cinema. Entering its third act, the movie morphs into a noir-steeped Read more ...
Owen Richards
Destroyer. It’s an apt name. Like the film, it's grandiose and blunt. Nicole Kidman is almost unrecognisable (a requirement when aiming for nominations) as Detective Erin Bell, a damaged survivor of an undercover heist gone wrong. When her target resurfaces after 17 years, she must pull her life together to hunt him down and finally close the case, whatever it takes.When we first see Detective Bell, she’s barely holding it together. Approaching a crime scene, she looks like an old punk star that stopped enjoying the drugs long before she stopped taking them. Limping, eyes barely open, and a Read more ...
Matt Wolf
The Tell-Tale Heart may be the title of an 1843 short story by Edgar Allen Poe, but rest assured that Anthony Neilson's adaptation of it for the National contains this theatre maverick's signature throughout. To be sure, the play charts a Poe-esque hallucinatory fall from sanity of an award-winning playwright called Celeste (or is it Camille, given the dualities in which the play revels). But the gathering grand guignol comes accompanied by multiple riffs on everything from the current hit revival of Company to the National itself, not to mention a first-act focus on excrement reminiscent of Read more ...
Marina Vaizey
It is 1914 – a fateful year for assassinations, war and revolution. The fictional Erast Petrovich Fandorin, the protagonist of Boris Akunin’s series of historical thrillers, is an elegant, eccentric sometime government servant, spy and diplomat, as well as engineer, independent detective and free spirit. He is a completely assured personality, who nevertheless stammers in ordinary conversation. And he is very fond of risk.This well-travelled Muscovite is visiting Yalta to pay homage to the memory of his hero, Chekhov, thus already utilising the mix of real history and fiction that is Read more ...
Jasper Rees
Was The Little Drummer Girl commissioned by algorithm? Those who liked The Night Manager might reasonably have been supposed to enjoy another le Carré adaptation. The two dramas had DNA in common. Both steered away from the Cold War, and told of a rogue spy adopting a role to infiltrate a network and bring it down from within. There the overlap ended. Where The Night Manager exerted a vice-like grip, The Little Drummer Girl has caused much scratching of heads. Twitter's one-word review was “Huh?”So there was much audience depletion. By halfway through the series had haemorrhaged more than 40 Read more ...
Saskia Baron
The privileges of writing reviews are very few (it’s certainly no way to make a living these days) but one that remains is the possibility of seeing a film before reading about it. Sometimes it doesn’t matter knowing in advance how a story will play out. It’s probably a good idea to let audiences know that they won’t get child-rearing tips from Rosemary’s Baby. But with Three Identical Strangers, a lot of its pleasure is in its narrative twists. To write about it critically is to risk dissipating the intricately paced revelations that make Tim Wardle’s documentary work so well. My advice Read more ...