thrillers
Owen Richards
Thank goodness no-one’s going anywhere this year, because 7500 does for planes what Jaws did for bright yellow lilos. Set entirely within the cockpit of a passenger jet, this thriller trims all the fat, leaving a taut nightmare that pulls no punches.Joseph Gordon-Levitt stars as Tobias Ellis, a mild-mannered pilot on a routine flight from Berlin to Paris. His biggest worry is his child not getting into a preferred kindergarten, something that far more bothers his partner (who also happens to be part of the flight crew). Both character and actor aren’t your typical action protagonist, but Read more ...
Marina Vaizey
John Grisham is a brand, in the sense that the reader relies on some sense of what the product is going to be. He is well up in the millions of sales, along with other writers under the “thriller/mystery” umbrella – Michael Connelly, David Baldacci, Ken Follett and Harlan Coben, to name but four. Still, as eagerly as his fans may await their yearly fix, he always manages to surprise.Scores of popular authors have had other professional lives which they mine for verisimilitude, and so with Grisham: a significant proportion of his novels (forty-four in all now) have made superbly imaginative Read more ...
Nick Hasted
When not dipping into its bottomless debts to write Scorsese blank cheques, Netflix tends to favour old-school TV movie potboilers such as this slick, silly thriller, in which young couple Katie (Camila Mendes) and Adam (Jessie T Usher) have their moral flaws picked apart by financial temptation.Katie’s work as a Chicago waitress ends in a violent robbery, while her day-job working for rich old loner Leonard (Elliot Gould, pictured below) finds her inheriting not only his lakeside mansion, but a secret treasure chest of cash and diamonds. “I’m just sick of being poor,” impetuous Adam declares Read more ...
Joseph Walsh
Romanian filmmaker Corneliu Porumboiu has made a career crafting perceptive and cerebral examinations of his native country. From his 2006 debut 12:08 to Bucharest to The Treasure, they were cerebral films that powerfully embodied the Romanian New Wave. With his latest film The Whistlers, Porumboiu shows he’s capable of being both a brilliant filmmaker and playful at the same time. It’s an impish noir thriller, full of femme fatales, crooked cops and sun-drenched islands. We begin on the island of La Gomera, the pearl of the Canary Read more ...
Joseph Walsh
After a season that sought to redefine what Westworld could become, the finale exposed the confused arc, before limping towards an emotionally weak ending. This season began by recoding itself into something schlockier, more high-octane, and arguably more mainstream than before – somewhere between a Jason Bourne film and The Matrix. Whether a glossy, high budget HBO show (on Sky Atlantic) could ever be classed as anything other than mainstream is a fair question, and the feature-length finale was no different. If Game of Thrones taught us anything, it was Read more ...
Adam Sweeting
Veterans of the first series of Blood will be familiar with writer Sophie Petzal’s fondness for leading the viewer up the garden path and round the mulberry bush as the story develops. Get ready to go through it all again.The setting is the rural heart of Ireland, and this sequel resumes the year after the tragic events of its predecessor, as disgraced doctor Jim Hogan (Adrian Dunbar, pictured below) returns to pick up the pieces with his family. It was the death of Jim’s wife Mary that fuelled the drama of the first series, with the truth about Jim’s complicity or guilt kept hanging Read more ...
Joseph Walsh
In the time since the show’s inception four years ago, arguments have raged as to whether Westworld is a dud or a cult classic. For every dedicated fan, there’s someone out there crying, "The Matrix did it first!" and complaining that the plot didn’t make sense (it did). Whichever side of the argument you fall, the question loomed as to where the show’s creators, Lisa Joy and Jonathan Nolan, could possibly take it next. Two years on from when we last entered Westworld (Sky Atlantic), we can finally find out. The violent delights at the end of Season 2 saw the "hosts" rising up against Read more ...
Nick Hasted
This is what Avengers: Infinity War/Endgame co-creator Joe Russo and his Thor, Chris Hemsworth, did next. It’s a gritty solo project after the Avengers band broke up, attempting to recreate the lean ethos of a Steve McQueen action pic in contemporary Bangladesh.Tyler Rake (Hemsworth) is a burnt-out, maybe suicidal mercenary, haunted by his dead son, and happiest drunkenly lazing with mates in his (and Hemsworth’s) native Oz. When an assignment to retrieve an Indian drug dealer’s kidnapped son from a Dhaka rival goes disastrously wrong, he has to extract the boy past a city full of corrupt Read more ...
Jasper Rees
Seven Lies is the debut novel of Elizabeth Kay, who under another name works as a commissioning editor in publishing. For how long will she stay in her day job when her pseudonymous moonlighting has already reaped vast rewards? Her thriller emerges to a drumroll. It has been sold to 25 territories, The Bookseller reports a seven-figure deal, while the TV rights attracted multiple bidders, and there are already plenty of plaudits on Goodreads from influencers vouchsafed advance e-copies.Meanwhile, according to the blurbs that fill the pages where glowing reviews should sit in the paperback Read more ...
Adam Sweeting
There are quite a few good things to be said for Julien Leclerc’s Earth and Blood. It’s a terse and uncluttered thriller which makes full use of its main location, a battered old sawmill in the midst of a dank expanse of forest, and Leclerc has rustled up a thoroughly unpleasant bunch of gangsters led by the intimidating Adama (Ériq Ebouaney). Best of all is his leading man Saïd, played as the acme of strong and silent by Sami Bouajila, a Leclerc regular who also appeared in the director’s recent pieces The Crew and The Bouncer.In fact Leclerc’s opening scene might be a little too good, since Read more ...
Veronica Lee
A camel is a horse designed by committee, they say; perhaps that explains why The Host, with several writing credits – adapted by Zachary Weckstein from a story by Laurence Lamers, screenplay by Finola Geraghty, Brendan Bishop and Lamers – doesn't really know what it is. Part suspense thriller, part crime caper, but mostly a Hitchcock rip-off (although I'm sure the creators would call it “homage”).It starts so promisingly, with Saul Bass-esque opening titles, but then we get into tale that becomes bogged down with trivial details. After being dumped by the married colleague with whom he has Read more ...
Jill Chuah Masters
Watching Run, HBO’s newest seven-part series, feels like off-the-rails escapism: it’s a fast-paced thriller about dropping everything, chasing intimacy and courting danger. It’s a vicarious adventure centred on a woman who has spent too long stuck at home. Run has hit our screens at the best possible time.The series starts in a parking lot. Ruby Richardson (Merritt Wever) — the thriller’s presumed heroine — is a yoga-going, 4WD-driving suburban mum. Might not sound thrilling, but the atmosphere is there: from the opening shot the air is thick with tension. Ruby ends a call with her husband Read more ...