Sweden
Kieron Tyler
Exorcism begins with a track titled “Rapin’”. Its lyrics tell of a late night walk home during which the drunk protagonist is sexually assaulted. “Did you pick me because there’s no one else around?” asks Jenny Wilson in an account of her own experience. Two days later she goes to a doctor and, as she puts it, “I had to show my body again”.Tracking the attack and its aftermath, Exorcism is thematically testing. The closest parallel springing to mind is the 1982 single “The Boiler”, by Rhoda with the Special A.K.A. Wilson’s fifth album draws from being raped, the emotional, institutional – Read more ...
graham.rickson
Lūcija Garūta: Music for Piano Reinis Zariņš (piano), Liepāja Symphony Orchestra/Atvars Lakstīgala (LMIC/SKANI)The Latvian composer Lūcija Garūta (1902-1977) reached maturity in the early days of Latvian independence, a supremely talented pianist, composer and polymath. Garūta was among the first Latvian women to drive a car, besides sailing a private yacht and pursuing an interest in science. She travelled to Paris and studied, briefly, with Alfred Cortot and Paul Dukas, identifying with Latvia’s musical “new romanticism”, a movement which sought to look forward rather than idealise Read more ...
Jasper Rees
Ever nursed an immoderate fondness for Ingrid Bergman? In Her Own Words, a bio-documentary released in the cinema then on DVD in 2016 and shown last night on BBC One as part of the Imagine... strand, was an entrancing, melancholy memoir in letters, diaries and above all personal footage. Director Stig Björkman earned the trust of Bergman's four children, who submit candid recollections. These were woven into the larger odyssey of an orphan who sought a refuge in make-believe and ended up the biggest – and later, thanks to her elopement with Roberto Rossellini, the most scandalous – film Read more ...
Saskia Baron
One of the oldest pleasures of cinema is the opportunity it gives us to look at beautiful people in beautiful places, possibly having beautiful sex. Often audiences get exactly what they came for but sometimes it isn’t exactly straightforward. Take The Square, the Oscar-nominated film from Swedish director Ruben Östlund that won the Palme d'Or at Cannes last year. Its cast includes Danish heart-throb Claes Bang (tipped as a potential James Bond), handsome Dominic West (of Wire fame) and lovely Elizabeth Moss (freed from her Handmaid’s Tale wimple). The setting is Stockholm’s fashionable art Read more ...
Jasper Rees
In 2017 the documentary series The Vietnam War told the story, from soup to nuts, of America’s misadventure in south-east Asia. It now seems the comprehensive history may have missed some nuts out. Not that anyone would question the sanity of a deserter from the US Army in 1968. Seen on the ground and from the air, the hot front of the Cold War was no place to be.Thus a group of four daring pioneers shucked their uniforms while on leave in Japan, and made their way via a fishing vessel to the eastern shore of the Soviet landmass, across which they were ceremonially paraded as propaganda Read more ...
Kieron Tyler
Considering the coal-dark nature of her music, it was unsurprising Sweden's Anna von Hausswolff was dressed entirely in black while meeting up at London’s Rough Trade East shop to talk about her new album Dead Magic. Less foreseeable was her sunny disposition and willingness to veer off topic. She happily explored what has brought her to this point and spoke enthusiastically about her inspirations. Whatever was discussed, the overriding impression was of a cheerful but nonetheless serious-minded person who puts a lot of thought into their music.Dead Magic (pictured below) is the Gothenburg- Read more ...
David Nice
Could an epic cinematic masterpiece be turned successfully into a three-act play? Confession first: Ingmar Bergman's Fanny and Alexander is my No. 1 film. On one level a slow-burn, pre-World-War-One family saga, on another a timeless human comedy pitting cosy security against unbalanced seeming austerity, resolved by the decisive intervention of the supernatural, it couldn't be radically reimagined for the stage in the way that Ivo van Hove did so unsettingly with Persona – another one on the top 10 list – by linking it with a relative Bergman rarity, After the Rehearsal.That said, Stephen Read more ...
Thomas H. Green
This album has been about in virtual form since last autumn but now receives physical release. In more ways than one. Since theartsdesk didn’t review it back then, its reappearance on CD and vinyl gives us an excuse to now. After all, Swedish musician Karin Dreijer – once of The Knife – is fascinating, an artist who pushes at the boundaries. She revived her Fever Ray persona last year amidst videos revelling in sci-fi weirdness and orgiastic BDSM imagery. Plunge is the musical life statement that follows.Five years ago Dreijer divorced, shaking off the “Andersson” that once double- Read more ...
Jasper Rees
Sara Lund and Saga Norén have a lot to answer for. Their adventures in the murk of murder as they grapple with their own dysfunctional psychology entranced audiences who don’t speak a scrap of Danish or Swedish. The search has since gone on for other gripping instances of Nordic noir. How long can it be before we accept that The Killing and The Bridge both had ingredients that aren’t easily reassembled?The "Walter Presents" strand has coughed up all sorts of potential replacements, while BBC Four continues to pan for gold on Saturday nights. There’s already been one Swedish drama premiering Read more ...
Owen Richards
The new import is the latest procedural from Scandinavia, this time focusing on Stockholm’s biker gangs. The first episode aired Tuesday night, with the rest of the series available on All4 now. In the age of the boxset binge, this availability is usually a gift - but Before We Die’s forgettable first episode might struggle to convince viewers to log on and continue.We first met killjoy cop Hanna Svensson on a drugs bust – more specifically, arresting her own son Christian for dealing at a house party. After a rather low-key confrontation, he was taken away and she was left crying in the car Read more ...
David Nice
You haven't lived until you've witnessed Viennese maverick H(einz) K(arl) Gruber – 75 today (3 January, publication day) – speech-singing, conducting and kazooing his way through his self-styled "pandemonium" Frankenstein!!. Composed for chansonnier and chamber ensemble or large orchestra, it's a contemporary classic nearly 40 years young. To witness his performance with players from the Royal Swedish Opera in the beautiful, neo-Renaissance Grünewald Halll of the art deco Stockholm Konserthuset last November was, I imagine, a stroke of luck akin to seeing Mahler or Richard Strauss conduct Read more ...
David Nice
Even given the peerless standards already set by Sakari Oramo and the BBC Symphony Orchestra in their Sibelius cycle, this instalment was always going to be the toughest, featuring the most elusive of the symphonies, the Sixth, and the sparest, the Fourth. As it turned out, all challenges were met with Oramo's characteristic mix of energy and sophistication, and the interloper, Swedish composer Anders Hillborg's Second Violin Concerto in its UK premiere, saw to it that Lisa Batiashvili carried the flame.Was it going to be generic contemporary? The skeetering strings at the beginning suggested Read more ...