tue 20/08/2019

Spain

theartsdesk Q&A: Theatre Producer Elyse Dodgson

The Royal Court Theatre has long been a leader in new British drama writing. Thanks to Elyse Dodgson, who has died aged 73, it has built up an international programme like few others in the arts, anywhere. At the theatre, Elyse headed up readings,...

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Donkeyote review - a quiet revelation

It’s an undeniably quirky set-up: an elderly Spanish farmer who takes it upon himself to travel to America and walk – alone – the epic, 2,200-mile Trail of Tears, following the westward route taken by the Cherokee fleeing white settlers. Alone, that...

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Montserrat Caballé (1933-2018): from Bellini to 'Barcelona'

Her special claim to fame was the most luminous pianissimo in the business, but that often went hand in velvet glove with fabulous breath control and a peerless sense of bel canto line. To know Maria de Montserrat Viviana Concepción Caballé i Folch...

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Summer 1993 review - the tenderest fabric of childhood

Carla Simón’s debut feature Summer 1993 is a gem of a film by any standards, but when you learn that its story is based closely on the thirtysomething Catalan director’s own early life, its intimacy becomes almost overwhelming. It has at its heart a...

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Roscoe, BBC Philharmonic, Mena, Bridgewater Hall, Manchester review - a scenic send-off

Juanjo Mena, chief conductor of Manchester's BBC Philharmonic for the past seven years, took his official leave of them with a programme reflecting his great love, the music of his Spanish homeland. Albéniz and Falla, to be precise, and the greater...

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Chopin's Piano, Tiberghien, Kildea, Brighton Festival review - mumbled words, magical music

First the good news: Cédric Tiberghien, master of tone colour, lucidity and expressive intent, playing the 24 Chopin Preludes plus the Bach C major and the C minor Nocturne in the red-gold dragons' den of the Royal Pavilion's Music Room. Then the...

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Lifeline, Channel 4 review - Spanish sci-fi drama on speed

It is with some trepidation that the globe-trotting viewer embarks on a new drama from Spain. Last year in BBC Four stole the best part of 20 hours of some lives with its split-series transmission of the maddening I Know Who You Are. Lifeline (...

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Murillo: The Self-Portraits, National Gallery review - edged with darkness

Mortality inflects commemoration. So it is with portraiture: the likeness – particularly those which celebrate lives of status and accomplishment – will always be limned with death.The National Gallery’s tiny exhibition of Murillo’s two...

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Civilisations, BBC Two review - no shocks from Schama

Lord Clark –  “of Civilisation”, as he was nicknamed, not necessarily affectionately – presented the 13 episodes of the eponymous series commissioned by David Attenborough for BBC Two in 1969; it was subtitled “A Personal View”, and encompassed...

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Carmen, Royal Opera review - clever concept, patchy singing, sexy dancing

Roll up, dépêchez-vous, for Carmen the - what? Circus? Vaudeville/music-hall/cabaret? Opéra-ballet, post-Rameau? Not, certainly, a show subject to the kind of updated realism which has been applied by just about every production other than the...

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La forza del destino, Welsh National Opera review - rambling drama, fine music

David Pountney’s tenure at WNO has been an almost unqualified success, despite some eccentricities of repertoire and a certain obstinacy in the matter of new commissions. His own productions have included at least three of unforgettable quality. He...

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BBCSO, Pons, Barbican review - love hurts in vivid Spanish double bill

This was an evening of Iberian highways re-travelled, but with a difference. At the beginning of 2016, the centenary of Spanish master Enrique Granados's untimely death, two young pianists at the National Gallery shared the two piano suites that...

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