Scotland
Bevan, The Sixteen, Genesis Sixteen, Christophers, Barbican review - MacMillan transcends againTuesday, 15 October 2019
Verdi, Elgar, Janáček, John Adams - just four composers who achieved musical transcendence to religious texts as what convention would label non-believers, and so have no need of the "forgiveness" the Fátima zealots pray for their kind in James... Read more... |
Edwyn Collins, Concorde 2, Brighton review - enjoyable evening of tight guitar popFriday, 13 September 2019
In March of this year Edwyn Collins released his ninth studio album, Badbea, his fourth since two life-altering cerebral haemorrhages derailed him in 2005. It’s a vivacious collection that runs the gamut of what guitar pop can be, from acoustic... Read more... |
What Girls Are Made Of, Soho Theatre review - euphoric gig-theatreFriday, 13 September 2019
It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Though the broad shape of this... Read more... |
Prom 55: Jephtha, SCO & Chorus, Egarr review - shock of the new in sacrificial oratorioSaturday, 31 August 2019
Human sacrifice has a disconcerting and wonderful effect upon great composers, above all when it involves the supremely queasy issue of a father vowing to offer up his child: think of Britten with Abraham and Isaac, Mozart with Idomeneo and Idamante... Read more... |
Edinburgh International Festival 2019: Bach's Multiple Concertos/ Manon Lescaut reviews - dancing harpsichords, perfect PucciniFriday, 23 August 2019
Puccini's and Abbé Prévost's glitter-seduced Manon Lescaut might have been inclined to linger longer in the salon of dirty old man Geronte if he'd served her up not his own madrigals but Bach's music for various harpsichords and ensemble. Five such... Read more... |
Edinburgh International Festival 2019: Breaking the Waves, Scottish Opera/Opera Ventures review - great film makes a dodgy operaThursday, 22 August 2019
Love him or hate him, Lars von Trier has time and again made the unpalatable and the improbable real and shatteringly moving in a succession of great films. Breaking the Waves set an audacious precedent. Baldly told, it's a story of a mentally ill,... Read more... |
Making new waves: Royce Vavrek on forging a libretto from Lars von TrierTuesday, 20 August 2019
It was during the 1997 Golden Globe Awards telecast that I first caught a glimpse of the film that would change my life completely. Midway through the ceremony was featured a short clip of a paralysed man telling a young woman, his wife, to go and... Read more... |
Edinburgh International Festival 2019: MacMillan birthday concerts - searing world premiereMonday, 19 August 2019
To celebrate the 60th birthday of Sir James MacMillan, the Edinburgh International Festival has programmed his music over five concerts, including the Nash Ensemble with Fourteen Little Pictures, the National Youth Choir of Scotland with All the... Read more... |
Edinburgh Fringe 2019 review: How Not to DrownFriday, 16 August 2019
Urgent, fast-paced, seemingly never pausing for breath, How Not to Drown is a real-life boy’s own adventure, an appeal for compassion towards refugees, and an interrogation of nationality and identity. That’s quite a mix for a show of 100 minutes.... Read more... |
Edinburgh Fringe 2019 review: Arabella Weir - Does My Mum Loom Big In This?Thursday, 15 August 2019
If nothing else, Arabella Weir quips, she can thank her mother for providing the material for her first Fringe show. For Does My Mum Loom Big In This? (see what she did there) is the Fast Show and Two Doors Down actor/comedian’s reflections on... Read more... |
Edinburgh International Festival 2019 review: Total Immediate Collective Imminent Terrestrial SalvationWednesday, 14 August 2019
It’s the end of the world as we know it. At least according to Miles, scientist turned messiah, who lost his son in an accident at a frozen lake, and who experienced visions of an impending apocalypse in his subsequent coma.He’s established a colony... Read more... |
Edinburgh International Festival 2019 review: RootsTuesday, 13 August 2019
A fat cat who gobbles up everything in sight. A king who tests his wife’s fidelity with increasingly horrific trials. A man whose flatmate is Poverty. It’s hard to ignore the scathing contemporary resonances in theatre company 1927’s sly, witty new... Read more... |
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