tue 09/08/2022

RSC

Antony Sher: 'I discovered I could be other people'

The energy of Antony Sher, who has died at the age of 72, was prodigious. He not only acted like a fizzing firecracker. He wrote books about his most celebrated roles, and several novels set in his native South Africa. He also wrote plays, and he...

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The Comedy of Errors, RSC, Barbican review - Shakespearean Christmas panto

“Am I myself?” At the tangled centre of Shakespeare’s comedy of two pairs of identical twins, servant Dromio asks the question on which everything else hangs. The delivery is exasperated, the context bantering, but the words are the flimsy door onto...

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The Magician's Elephant, Royal Shakespeare Theatre review - family musical doesn't fully deliver

Trigger warnings have become commonplace in theatres these days, but few chill the blood like the description "a new musical" on a playbill. There are so many things to go wrong, so few ways to get things right and, never far away, the dissenters...

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The Cherry Orchard, Windsor Theatre Royal review - Tolstoy meets Mrs Two Soups

The cherry orchard in Anton Chekhov’s eponymous play is a classic MacGuffin, its existence a reason to stir the sorts of resentments, fancies and identity causes that start wars and revolutions. The orchard’s beautiful, and that’s all – a cultivated...

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First Person: Director Maria Aberg on drawing fresh inspiration for the future

When theatres in the UK closed last March, I found myself in a vacuum. Having been a freelance theatre director for over 15 years, I was used to busy – juggling a hectic schedule of directing shows with the reality of being a mum to two toddlers....

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The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid production

It has been a hard coming for this RSC Winter’s Tale. Erica Whyman’s production was cancelled by the virus days before its premiere last spring, with plans to stage it in the autumn frustrated by the second lockdown. This broadcast version,...

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Dream, RSC online review - gaming version unleashes revolutionary potential

Which of Shakespeare’s plays is most plagued by misperception? For my money, I would argue A Midsummer Night’s Dream. Most people encounter it at school age because of the ease with which it can be dressed up as a light comedy involving fairies. Yet...

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Troy Story, RSC online review - biting off more than it can chew

At just under five hours, Troy Story, the RSC’s adaptation of as many tales from Greek myth, takes about a third as long as it does to recite the whole of the Iliad. It feels like longer. Gregory Doran’s production is ambitious in its starkness, but...

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The Merchant of Venice, BBC iPlayer review – a parable on the limits of tolerance

Ah, 2015. Those halcyon days of packed theatres. Thank God the RSC had the presence of mind to film Polly Findlay’s production of The Merchant of Venice, now streaming on BBC iPlayer. Condensed into just over two hours, it’s a thoughtful take on...

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Theatre Lockdown Special 2: Birthdays aplenty, songs of hope, a starry quiz - and more

As lockdown continues, so does the ability of the theatre community to find new ways to tantalise and entertain. The urge to create and perform surely isn't going to be reined-in by a virus, which explains the explosion of creatives lending their...

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Twelfth Night, RSC/Stratford-upon-Avon online review - inventive but underfelt

Twelfth Night is rarely long-absent from the British stage and nor is it in our current climate of streaming aplenty. This 2017 production for the RSC from the director Christopher Luscombe will soon be followed online by the National Theatre’s...

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A Christmas Carol, Old Vic Theatre review - the festive favourite mixes gloom with merriment

"Dickensian" commonly means both sentimental Victorian, apple-cheeked family perfection (especially at Christmas) and abject poverty. The story of Scrooge encompasses both as the old curmudgeon learns to mend his miserly ways and open his heart to...

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