rock
Russ Coffey
Back in 2013, Haim's debut seemed like the freshest breath of air in a slightly stuffy rock scene. The girls' inimitable musical style – a kind of blend of Stevie Nicks and Shania Twain – lit up any number of radio playlists. Equally important was their air of authenticity. These three musical prodigies from LA were literally sisters and literally doing it for themselves. But there were still nagging doubts – particularly after one TV performance which they, rather oddly, dedicated to David Cameron. For all their hippy hairstyles were the girls actually as free- Read more ...
caspar.gomez
It’s a Tweet-age Glastonbury aftermath. It’s monsooning grey outside. The real world’s back, consensus reality fast encroaching. Everything’s moved on, spun to the next thing as we A.D.D. onto Wimbledon, Hard Brexit or whatever. Even my 14-year-old daughter knows the “Oh, Jeremy Corbyn” chant (to the riff from White Stripes “Seven Nation Army”) that rolled across this year’s Glastonbury crowds like a steady rumble of perturbed destiny. “Jeremy Corbyn isn’t just Jeremy Corbyn, he’s a thing now,” she explained. And I sort of know what she means.I woke up today with Rag’n’Bone Man’s chorus Read more ...
Joe Muggs
Gossip – the trio fronted by Beth Ditto from 1999 until last year – always felt a bit overshadowed by their 2006 breakthrough hit “Standing in the Way of Control”. It's understandable: it still stands up now as a bona fide banger, in original form or the Soulwax remix that soundtracked a million Skins trailers and captured a dayglo period when indie rock and rave culture were “having a bit of a moment” together, and it absolutely deserved its ubiquity. But it's also unfair, as Gossip were a force of nature live, made plenty of excellent records, and were generally way more than one-hit- Read more ...
Adam Sweeting
Opera-lovers coming to St Martin's Lane may feel confused to be confronted by an unrecognisable Coliseum, which now has huge girder-like structures adorning the stage and ceiling and a rather ugly skyscraper looming out of the wings, called Falco Tower. Happily, the producers had left a copy of the bogus newspaper, The Obsidian Times, on every seat, which offered some handy background about the plot of Bat Out of Hell - the Musical.Obsidian (a bleak anti-Manhattan) is falling into slum-infested wrack and ruin under the despotic leadership of Falco, the Commander-in-Chief. However, his wife Read more ...
Russ Coffey
It had been a perfect summer's day and around the stadium denim-clad punters sipped ice-cool beer and discussed how this reunion would sound. Everyone knew how Axl had aced it, right here, a year ago, filling in as AC/DC's lead singer. Many hoped it would be just like when the classic line-up last played London in 1992. Except this time the sound quality would be better.Unfortunately, for many, the latter wasn't to be. As the band launched into "It's So Easy" smiles of anticipation turned into looks of disbelief - the acoustic at the back of the venue felt like sludge. The culprit seemed to Read more ...
Liz Thomson
Wow! An unconventional opening for a book review maybe, but ‘“wow!” nonetheless. Subtitled "How Skiffle Changed the World", this is an impressive work of popular scholarship by the singer, songwriter and social activist whose 40-year (and counting) career has embraced folk, punk, rock and Americana, and various combinations of those genres. It has also seen him anointed as an heir to Woody Guthrie, the late great journalist and song-maker, the Dust Bowl balladeer who, more than half a century ago, wrote a song about a little-known racketeer landlord whose mercenary tactics would lay the Read more ...
Guy Oddy
There are not many bands who are obtuse enough to begin a gig with a 45 minute unrecorded song, especially when they are preparing to go their separate ways at the end of the tour and have no plans for further recording. Sonic adventurers Swans, however, have no such qualms. After taking to the stage with a minimum of fuss and looking like Sam Peckinpah’s The Wild Bunch gone feral in the backwoods of Twin Peaks, they pick up their instruments and launch into “The Knot”.Slowly building up a head of steam from a woozy and disorientating oceanic drone, the song builds and falls away again until Read more ...
Thomas H. Green
While the 36 records reviewed below run the gamut of Wreckless Eric to Democratic Republic of the Congo Afro-electronica, this month there’s also a special, one-off section for modern classical. This is due to an ear-pleasing haul of releases reaching theartsdesk on Vinyl lately. Modern classical, often computer-treated, is on the rise, recalling the long ago days when tweedy collectors would have chests of classical to dig into on Sunday afternoons, place on weighty old stereos, and sit quietly, eyes closed, contemplating the eternal verities (well, I knew one older gent who did that, back Read more ...
Barney Harsent
Initially released to coincide with Record Shop Day (we’re in the UK so yes, it’s a shop, thanks very much), we’re a little late out of the blocks with the Miracle Legion frontman’s latest solo venture, but then, The Possum in the Driveway is an album that benefits from a little time to bed in and take root.Compared to 2013’s Dear Mark J Mulcahy, I Love You, Possum feels like a daring and deliberate attempt to reach further and broaden scope: to play many parts. “Stuck on Something Else” opens the album with a hushed reverence before Mulcahy’s voice takes hold: bold, purposed and drenched in Read more ...
Barney Harsent
“Harry's new album is F*CKING INSANE!” tweeted Father John Misty recently, setting the expectation bar very high for a collection that, sources close to the former One Direction member had indicated, would be “deeply personal” (or, at least, as deeply personal as a Grammy-winning songwriting team would allow). Then, with the release of lead single “Sign of the Times” came comparisons to Pink Floyd and David Bowie. Not an overlong Robbie Williams piano ballad sung by someone with decent range, then? No. Pink Floyd. And Bowie.The comparisons and preposterous hyperbole seem stranger still on the Read more ...
Adam Sweeting
The title of this exhibition is typical of Pink Floyd’s mordant view of the world, not to mention their sepulchral sense of humour. Needless to say, the band that took stage and studio perfectionism to unprecedented lengths have pushed the boat out here, memorialising over 50 years of their collective history with thoroughness and fanatical attention to detail.The event was four years in the planning, with all three surviving members pitching in and giving it their blessing, and drummer Nick Mason attending “many a long meeting” as he coordinated the event with curator Victoria Broackes and Read more ...
Guy Oddy
To call Jim Jones a punk-blues dynamo is something of an understatement. Having already fronted three epic bands since the mid-Eighties in Thee Hypnotics, Black Moses and the Jim Jones Revue, he’s now ready to unleash the debut album by his latest combo, Jim Jones & The Righteous Mind. Super Natural, happily enough, shows no evidence of diminishing returns though and is actually considerably more than is needed to prove that Jones is still riding the garage rocket.The opening track, “Dreams”, comes roaring through the speakers like an air raid. Primal and gritty rock’n’roll with fire and Read more ...