rock
Thomas H. Green
The autumnal release deluge is upon us. Vinyl’s thriving and writhing. Raise a glass to it. Do it. However, records that, in another month, would have been reviewed here, music that would have been in the ALSO WORTHY OF MENTION section, has been unfairly passed over. Thus theartsdesk on Vinyl didn’t have space for the likes of Sixties-flavoured popsters The Dials, lone Nine Inch Nail Alessando Cortini, “space mermaid” Johanna Glaza, Dutch-Belgian jazz trio De Beren Gieren, London electro noiseniks Fever Dream, Spanish rhythm’n’blues maestro Julián Maeso, retro soul revivalists D’troit Soul Read more ...
Thomas H. Green
These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll. At the start of his first encore he even plays a new, unreleased song, “War Plan Red”, giving vent to fiery infuriation with global politicking, his band shadowed in ominous scarlet lighting. He may be renowned, primarily, for songs of romance and dissolution, but with lyrics such as “The so-called free world stands for evil incarnate” he clearly Read more ...
Jasper Rees
Forty years ago Whispering Bob Harris made a documentary about Queen. He eavesdropped on them as they recorded the album News of the World and then followed them around America on tour. The film was never broadcast but the footage was exhumed for this anniversary and stapled together in Queen: Rock the World (BBC Four), the latest in the BBC's prancing cavalcade of recent documentaries about the band (see sidebar).The reason for the film's non-appearance in 1977 was not made explicit. The charitable explanation is that this was the year of punk and the BBC were alive to a shift in popular Read more ...
Thomas H. Green
It’s impossible to discuss TootArd without digging into the history of their region. They’re a funky desert blues outfit but they don’t derive from Saharan Africa; they were born and raised in the village of Majdal Shams in the Golan Heights. This is the region Israel grabbed off Syria in the Six-Day War of 1967, then fully annexed in 1981, claiming it as Israeli territory. However, Arabic Syrians who remained were rendered stateless, given “Laisser-Passer” travel papers by the Israeli government rather than the passports of a full citizen. Hence the album’s title.The band, currently Read more ...
Adam Sweeting
Following the recent death of the band's co-founder Walter Becker, it seemed faintly remarkable that Steely Dan went ahead with this O2 show at all – it was the closing night event of Bluesfest 2017 – but Becker’s absence wasn’t allowed to detract from the sustained brilliance of the performance. The Dan’s surviving guru, Donald Fagen, has announced that “I intend to keep the music we created together alive as long as I can with the Steely Dan band”, and surely it has never sounded better.Becker and Fagen always loved the idea of the great jazz orchestras, not least Duke Ellington’s band, and Read more ...
howard.male
It’s easier to admire than fall in love with the music of St Vincent aka Annie Clark. But then again does one genuinely fall in love with a Bacon painting or a Beckett play? It’s just that we’re more used to taking pop songs to our heart, fondly looking back on them as markers of key moments on our lives. Having said that, some love struck couple might semi-ironically play Massduction’s lead single “New York” at their wedding. It’s resigned hook line, ‘You’re the only motherfucker in the city who can stand me,’ is delivered with such melancholy gratitude that it does evoke an emotional Read more ...
Barney Harsent
When Liam Gallagher turns up with an album in tow, no one is expecting "Jazz Odyssey". You wouldn’t call a plumber to turf your lawn, and you wouldn’t ask ISIS to explain the dynamics of intersectionality. Similarly, you wouldn’t expect the former Oasis and Beady Eye frontman to deliver anything other than Beatles-inflected rock stompers. For the most part that’s exactly what you get. I stopped counting Fab Four references when I ran out of digits, but lyrically, there are nods to “Helter Skelter”, “All Things Must Pass”, “Happiness is a Warm Gun” and “Run For Your Life” among many Read more ...
Russ Coffey
Nick Cave walked onto a simple black stage and quietly perched on a stool. He took a deep breath and launched into "Anthrocene". "This sweet world is so much older," he sang with arms outstretched. His huge baritone voice travelled across the arena as if he'd been playing them for years. In fact, this is his first stadium tour. It's a move that's partly been prompted by Cave's ever-increasing profile as an artist. One imagines it's also because of a fundamental change that's happened in him as a person.The reason for that change is well known. A catastrophic event occurred during the Read more ...
joe.muggs
When Miley Cyrus released the deliriously patchy Bangerz in 2013 she was as over-exposed as any pop star has ever been, as I subtly pointed out at the time. Far less so now. Her only album in the interim has been a slightly tedious, flung-out drug folly of a Flaming Lips collaboration in 2015. Other than that, she's steadily edged away from the limelight, meaning this record arrives with less fuss and kerfuffle than more or less anything she's done since her very beginnings as the child star of Disney's Hannah Montana.And it's all the better for it. My first reaction on seeing the title was “ Read more ...
joe.muggs
It was this album's good fortune to arrive on a miserable rainy afternoon. At other times my first impressions might be a bit harsher about its comfortable, retro dad-grooves and easily flowing sax solos, but instead I let it wrap me like a blanket, and by three tracks in it was absolutely impossible to dislike it.But then again, back in the Eighties, The Blow Monkeys were always adept at turning the smooth, super-mainstream and potentially pastiche-y into something rather more interesting – somewhere in the British white soul continuum between the gruff urgency of The Style Council and the Read more ...
Thomas H. Green
London indie-rockers Wolf Alice’s debut album, My Love Is Cool, made it to no 2 in the charts a couple of years back. It was a bona fide success story and a rare thing, a gold record for a female-fronted outfit who major in grungey, ambitious post-Pixies rock. It was derivative, but also showed a feisty, admirable willingness not to be pigeonholed, especially on songs such as the ecstatic “Freazy”. Its successor initially seems destined to be even more wide-ranging, to reach headier heights, but then settles, during most of its second half, for being simply a decent album.Let us not damn Read more ...
Kieron Tyler
That this year is the 40th anniversary of 1977, the year punk rock went mainstream, shouldn’t obscure the pub rock foundations underpinning much of what was supposedly new. The Clash’s Joe Strummer had fronted pub circuit regulars The 101’ers. In 1976, the Sex Pistols regularly played West London pub The Nashville Rooms. The Damned came together after Brian James and Rat Scabies scouted the audience at a Nashville Pistols/101’ers show for potential members of the band they intended forming. The Damned’s future label Stiff Records was run by pub rock movers and shakers. Their producer, Nick Read more ...