rock
colin.mckean
Sir Mick Jagger was not, by any means, a street fightin’ man, but his charisma and the conviction with which he sang the line, allowed us to suspend our disbelief. The song would have seemed ludicrous, pathetic even, if it had not. Iggy Pop is not, in fact, a street walkin’ cheetah with a heart full of napalm, but when he sang the immortal opening line of “Search and Destroy” last night, he embodied every word.All Tomorrow’s Parties were celebrating five years of their Don’t Look Back events with a double bill at the Hammersmith Apollo, and had invited Iggy and the Stooges to play Raw Power Read more ...
theartsdesk
This month's most intriguing and fabulous CDs are headed up by the strange and beautiful electronica of Scuba and a magnum opus from Natalie Merchant. Highlights include music from the offspring of the famous from Jakob Dylan and Harper Simon, maverick country from Willie Nelson and superior offerings from David Byrne and Fatboy Slim, "hearfelt and hopping mad" music from John Grant, gypsy punk from Gogol Bordello, ethereal jazz from Food and a brace from South Africa. Stinker of the Month is the latest from the overrated Paul Weller. theartsdesk's reviewers are Robert Sandall, Joe Muggs, Read more ...
Adam Sweeting
This new series proposes to examine the individual roles played by the members of successful rock groups, but you could tell there was trouble in store from the narrator's opening question: "What is the DNA of a great rock'n'roll band?" Like the rest of this first programme, which tried to draw up a job description for lead singers, the question didn't quite make sense. Shouldn't it have been "What is in the DNA"? And were we about to see a Horizon-style scientific analysis of chromasomes and double-helix molecules, or did it just mean: "What kind of people join rock'n'roll bands?"It turned Read more ...
bruce.dessau
It's not the bobbies on the beat that are getting younger, it's the bands. Bombay Bicycle Club formed while at school in north London's Crouch End and were already making a name for themselves when they left full-time education in 2008. Rock and roll domination is on the curriculum instead, thanks to the success of last year's debut album, I Had the Blues but I Shook Them Loose.Their critical acclaim, being voted Best New Band at the NME Awards earlier this year, for instance, is not entirely a bolt from the blue. Particularly for anyone who believes that talent is genetic. Guitarist Jamie Read more ...
Tim Cumming
A great wall of noise greets the audience as it settles in to the Royal Festival Hall - the sound of some heavy outer planet’s radio frequency, a subtly oscillating drone that recalls NASA’s recordings of radio emissions from Saturn made by the Cassini spacecraft. Lou Reed’s work station for the night is set centre-stage, behind a rack of electronic machinery, a row of guitars awaiting their signal stacked behind him, but for 20 minutes or so there’s just that continuum of noise – in fact the sound of three guitars leant up against a stack of live amps. Is this to soften up the audience’s Read more ...
Russ Coffey
To call Laura Marling folk rock’s Sylvia Plath for the Pete Doherty generation probably sounds like faint praise. But ever since I heard her described thus I haven’t been able to lose the Plath comparison. Fragile, sensitive, effortlessly talented; Marling’s all these things. But more, she’s a poet of feeling too much and caring too deeply, able to perfectly crystallise such emotions because she always seems to be living them. Capable of finding wonder in a wet weekend, or tragedy in a sunny afternoon because she never quite belongs. With the new album I Speak Because I Can, Read more ...
Joe Muggs
Welcome to the grown-up rock mothership. I've seen bands play in TV studios plenty of times over the years, but walking into the Later... With Jools Holland recording at BBC Television Centre for the first time, as I did last night, is something else. Studios generally have a disappointing feeling of smallness, or of looking behind the curtain to reveal artifice, but this genuinely was like stepping into the TV screen: the circle of bands and punters exactly as you see it when the camera spins around in the show's intro.For full disclosure, I should say here that I have never been a fan of Read more ...
Joe Muggs
The protests around the Iranian presidential elections of 2009 brought home to many in the West not only how dominated by youth the pro-democracy movement in Iran is, but also how westernised the youth of that country are. Symbolised by Neda Agha-Soltan, the young woman whose death at the hands of security forces was caught on camera and beamed around the world, this was an Iran a world away from the glowering Ayatollahs and pepperpot women in black chadors we tended to see on news reports.No One Knows About Persian Cats is a timely reminder of the existence of this young, modern Iran Read more ...
Russ Coffey
In life Tom McRae is a cockeyed optimist. When his label, V2, dumped him, his response was to start up his own recording studio and to enthusiastically play every honky-tonk between LA and New York. It was the fans that kept McRae positive. An almost fanatically loyal crowd, they stuck with him through thick and thin and asked for little. Their demand was singular and a little perverse. All they wanted was to leave each concert feeling a little bit more depressed than when they went in.For, in music, McRae is a miserablist, out and proud. The Sixties had Leonard Cohen. The Eighties had the Read more ...
howard.male
What do you imagine a Swiss Cajun/Zydeco trio would sound like? It’s not a question that’s easy to navigate without slipping into the politically incorrect quicksand of racial or cultural stereotyping. So it gives me great pleasure to report that any narrow-minded assumptions I may have had in that department were instantly confounded by the reality of the life-affirming racket made by these three young men from Geneva as they rocked the basement bar of the St Moritz Club in Wardour Street.The first clue that this was my kind of band was the cover of their second and most recent album, Brule Read more ...
Adam Sweeting
Along with the compact disc and record company profits, the Guitar Hero has become virtually extinct in the modern era. Thus, finding two gilt-edged specimens of this increasingly scarce breed sharing a stage is gold dust indeed. Both of them have been drenched in accolades, Jeff Beck having been inducted into the Rock and Roll Hall of Fame twice and Eric Clapton three times.Beck replaced Clapton in the Yardbirds in 1965 after "God" decided that the group were becoming too commercial and un-bluesy, but while Clapton has remained stubbornly true to his blues calling over the decades, Beck has Read more ...
Joe Muggs
The Hoxton area of Shoreditch is a strange place for gigs by bands with general appeal. Specialist acts bring specialist crowds who know what they're going to get, but any like Music Go Music – whose records show a huge pop sensibility – will attract a fair few curious local scenesters, which sadly in Shoreditch means a load of drunk posh twits and Peaches Geldof clones falling over themselves to photograph one another every three seconds and show how fabulously bored they are with everything. These were out in force last night and it didn't, frankly, set up a celebratory atmosphere for the Read more ...