mon 18/08/2025

religion

The Night of the Hunter

The Night of the Hunter is not recorded as having charmed critics when released in 1955, but its reappearance in cinemas means it can be seen for what it was: a dark, frightening and intense film which questions the nature of faith and what happens...

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Pilgrimage with Simon Reeve, BBC Two

A cynic might say that the presenter of a series entitled Places that Don't Exist is perfectly qualified to go on a long walk to look for religious revelation. In keeping with his past explorations of wild places, Reeve's commentary was better on...

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From Morning to Midnight, National Theatre

We first see the bank clerk, who can’t bear his dull life, serving behind the cashier's till, like an automaton. In Melly Still's hugely inventive, visually stunning multimedia production of From Morning to Midnight – Georg Kaiser's...

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Parsifal, Royal Opera

Is anyone else sick of creepy brotherhoods skewering the transcendent in Mozart’s and Wagner’s late operas? Both Sarastro’s cult and the company of the grail are in sore need of change - "fresh blood" would be an unfortunate term under the...

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Remembering Tavener

You may have noticed an unholy silence from theartsdesk in the immediate aftermath of Sir John Tavener’s death a week ago today, just under three months short of his 70th birthday. Three of us in the classical team felt we just didn’t know his music...

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Philomena

In 1998, Judi Dench slayed audiences on the London stage in Filumena, playing a former prostitute who learns belatedly to cry. The tears come more quickly - both for Britain's best-loved acting Dame and her public - in the comparably titled...

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Russell Brand, Hammersmith Apollo

Russell Brand, as I've written before, divides the room. Well, not the beautifully refurbished 3,000-seat Hammersmith Odeon in London, where his faithful gathered for the past two nights on his mammoth international tour, but more generally. There...

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The Events, Young Vic Theatre

Is this the year’s most controversial play? When it opened at Edinburgh in August, David Greig’s The Events created a stir because its depiction of the aftermath of an atrocity is reminiscent of Norway’s Anders Breivik and the 2011 Utoya shootings....

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Prom 57: Parsifal, Hallé, Elder

So for one last time this season the impossible colosseum of Albertopolis became the Wagnerian holiest of holies – to be precise, the Cathedral of the Holy Grail - and once again I fell in love with the beast transfigured. Justin Way, the one artist...

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DVD: Post Tenebras Lux

Post Tenebras Lux is a hard film to love, but it is one which engrosses. Although riveting, its appeal is akin to the fascination exerted by catastrophes and car pile-ups. Fittingly, the taste it leaves is bitter. It’s also hard to digest. Contrary...

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Prom 12: Accademia di Santa Cecilia Chorus and Orchestra, Pappano

It’s a dilemma of anniversary years, and never more so than with Wagner’s and Verdi’s 200th birthdays: do you stick to the masterpieces or try and bring the rarities to life? No-one would have minded, I suspect, if Antonio Pappano and the Accademia...

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War Requiem, Berlin Philharmoniker, Rattle, Philharmonie Berlin

How often should a music-lover go to hear Britten’s most layered masterpiece? From personal experience, I’d say not more than once every five years, if you want to keep a sense of occasion fresh. So how often should an orchestra play it? Sir...

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