sat 17/04/2021

religion

Album: Lady Dan - I Am the Prophet

There’s a line in “No Home”, the staggering centrepiece of Lady Dan’s debut album, that perhaps sums up the project. “Wolves will never be my masters again,” the artist, real name Tyler Dozier, sings as the strings swell, in a voice like the...

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Blu-ray: Beginning

This debut feature from the young Georgian writer-director Dea Kulumbegashvili is exceptional in many ways. It stands out not only for its hypnotic quality as a film that feels like that of an already formed auteur, as well as for the complex...

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Book extract: Nativity by Jean Frémon, with drawings by Louise Bourgeois

How should one paint the baby Jesus? This deceptively innocent question runs the length of Jean Frémon's Nativity, a fictional work that takes as its subject the first painter to represent the saviour of humankind without his swaddling clothes. The...

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Judith Herrin: Ravenna review - flashes of order and beauty in a chaotic world

Anyone mesmerized by the mosaics in seven of Ravenna’s eight Unesco world heritage sites may be surprised by the historical scope of Judith Herrin’s wide-roving history. From the gem-like “Mausoleum” of Galla Placidia (425-50) to the flowery meadows...

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Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

The world premiere of Stephen Beresford’s new hourlong play, livestreamed to home audiences in four performances as part of the Old Vic’s In Camera series, was postponed a couple of times due to Andrew Scott undergoing minor surgery. Thankfully, the...

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Young Ahmed review - jihadist drama misses the mark

Belgian filmmaking duo the Dardenne Brothers have long been darlings of Cannes Film Festival, winning awards for hardhitting dramas like La Promesse, Le Silence de Lorna and The Kid with the Bike. Their latest offering Young Ahmed is no different, a...

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Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

We’ve already had The Last Five Years in lockdown; now, we get a digital production of American composer Jason Robert Brown’s earliest work. A series of wistful pop/jazz numbers loosely linked thematically, rather than narratively, this 1995...

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Album: Bab L'Bluz - Nayda

Bab L’Bluz are a Franco-Moroccan band, They’re the latest in a succession of musicians - going back to the pioneers Nass El Ghiwane, and the recently departed Rachid Taha - to have created a vibrant fusion of traditional sounds from the Maghreb with...

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Krabi, 2562 review - a trance-like visitation

Have you ever visited a destination you saw on film, only to realise it’s not quite how you imagined? Filled with tourists, the scars of mass visitation, and caught between its own culture and staying commercially attractive. The Thai city of Krabi...

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Album: The Soft Pink Truth - Shall We Go On Sinning So That Grace May Increase?

Drew Daniel is never short of concepts, invention or mischief. As one half of Matmos, with his life partner M.C. Schmidt, he has made some 10 official albums and many more collaborative ones – all pushing the boundaries of electronic bricolage and...

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Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

This week’s gem from the Hampstead’s vaults is Howard Brenton’s political drama from 2013, telling the extraordinary, stranger-than-fiction story of Cyril Radcliffe and his 1947 mission: to arrange the Partition of India in just five weeks. A tale...

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Classical Music/Opera direct to home 6 - Parsifals for Easter

Wagner's final drama, of learning, suffering and redemption through compassion, is second only to Bach's Passions at this time of year, and seems likely to strike a special note in the present crisis. Opera companies around the world, making much in...

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