sun 23/09/2018

religion

Eyam, Shakespeare's Globe review - plague drama, dark and loose

The end-of-season contemporary writing slot at the Globe must be a proposal as full of promise for playwrights as it is perhaps intimidating. There’s the sheer scale of the space and the chance to write for a large cast; a historical subject seems...

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The Miseducation of Cameron Post review - learning the right way

This is Desiree Akhavan’s second film, following on from her rather ironically titled Appropriate Behaviour of 2014. That was a coming-out drama about a bisexual, Iranian-American woman, whose story closely reflected the director’s own – and Akhavan...

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Classical CDs Weekly: Louis Couperin, Pärt, Bruce Levingston

 Louis Couperin: Dances from the Bauyn Manuscript Pavel Kolesnikov (Hyperion)We’ll get the entertaining trivia out of the way first, namely that the musical Couperin dynasty came from Chaumes-en-Brie. I’m struggling to think of another example...

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Apostasy review - trouble in the Jehovah's Witnesses' Kingdom

Religion’s desire to fulfil humanity too often denies it instead. The cruelty of inflexible faith which breaks fallible adherents on its iron rules is at the core of this family drama, written and directed by former Jehovah’s Witness Daniel...

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First Reformed - faith fights the eco-apocalypse

Father Ernst Toller (Ethan Hawke) calls himself one of God’s lonely men. The term given to Paul Schrader’s anti-heroes since Taxi Driver’s Travis Bickle is usefully explained by the priest: his loneliness is a divine attribute letting him sympathise...

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John Gray: Seven Types of Atheism review - to believe, or not to believe

To suggest an absence is to imply a presence. Philosophers, novelists, dictators, politicians – as well as almost every “ism” you can think of – take the stage in this absorbing, precisely and elegantly written study of various kinds of atheism. All...

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Mary Magdalene review - potent, feminist revisionism

Mary Magdalene’s story hasn’t suddenly become the second greatest ever told, despite its radical expansion here. Garth Davis’s follow-up to Lion is, though, a profoundly thoughtful and convincing telling of the Christian main event. This Mary (...

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Wake, Birmingham Opera Company review - power to the people

“Would you like a veil?” asked a steward, offering a length of black gauze, and when you’re at a production by Birmingham Opera Company it’s usually wisest to say yes. You get used to it - the frantic Google-mapping to locate the venue; the hike...

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DVD: Jupiter's Moons

There’s a terrific drive to Kornél Mundruczó’s Jupiter’s Moon, a cinematic powerhouse of both technique and ideas. The maverick Hungarian director’s film, which premiered in last year’s Cannes competition, may occasionally bewilder – such is the...

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Dialogues des Carmélites, Guildhall School review - calm and humane drama of faith

One question dominates any staging of Dialogues des Carmélites. How will the production team deal with the cruelty and tragedy in the 12th and last scene when all of the nuns, one by one, go through with their vow of martyrdom and calmly proceed to...

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DVD/Blu-ray: I Am Not a Witch

Rungano Nyoni’s debut feature premiered at last year’s Directors' Fortnight in Cannes, and immediately marked the Lusaka-born, Wales-raised director down as a figure to watch. Putting her film into any category is more challenging, though, with...

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Bach Cantatas - not just for Christmas

Faced with yet another new work premiered by the Borodin Quartet, Shostakovich asked a daunting question: "but have you played all of Haydn's quartets yet?". Of course they hadn't, and felt justly rebuked. As a listener and sometime performer, I...

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