fri 19/04/2019

religion

Fleabag, Series 2 finale, BBC Three review - Phoebe Waller-Bridge's miraculous situation tragedy

The problem with Fleabag (BBC Three/BBC One) is that it makes almost all television look pedestrian. It’s like the difference between Fleabag’s scummily inadequate boyfriends and the unattainable perfection embodied by the cool sweary priest. Earth...

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Pah-La, Royal Court review - complex ideas, wild storytelling

Theatre can give a voice to the voiceless – but at what cost? Abhishek Majumdar, who debuted at the Royal Court in 2013 with The Djinns of Eidgah – about the situation in Kashmir – returns with his latest play, Pah-La. Just as his debut was...

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The Crucible, The Yard Theatre review - wilfully over-stirred

The Crucible is a play that speaks with unrelenting power at times of discord, most of all when the public consciousness looks ripe for manipulation. Never more appropriate than now, you might think – and in a year in which the work of Arthur Miller...

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Classical CDs Weekly: Martinů, Prokofiev, Sullivan

 Martinů: The Complete Music for Violin and Orchestra Bohuslav Matoušek (violin), Czech Philharmonic Orchestra/Christopher Hogwood (Hyperion)You can't overdose on Martinů: four reissued discs of concertante music for violin and orchestra might...

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Derry Girls, Series Two, Channel 4 review - welcome back, gang

When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix...

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Boy Erased review - gay vs God drama treated with empathy

Joel Edgerton’s second turn as a director is the second film in a year to treat the subject of gay conversion therapy. The first was Desiree Akhavan’s The Miseducation of Cameron Post, whose victory at Sundance a year ago confirmed, symbolically not...

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Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

Apparently in Denmark they pronounce screenwriter Adam Price’s surname as “Preece”, but its English-looking spelling stems from the fact that his ancestors moved from London to Denmark in the 18th century. He came storming back into the British...

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The Convert, Young Vic review - Africa's electric cry for justice

Wow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well. Or, at least, two of them have. The Convert has been written by actor and playwright Danai Gurira (Okoye), and stars Letitia Wright (Shuri)....

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DVD/Blu-ray: The Blood of Hussain

Jamil Dehlavi is a filmmaker whose work straddles two worlds. His native Pakistan is certainly the key element in the two early films on this BFI dual-format release – it follows on from the director’s August South Bank retrospective, the first...

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Oceania, Royal Academy review - magnificent encounters

In the video, Kathy Jetñil-Kijiner smiles shyly before beginning. As she speaks, her voice gains conviction, momentum, power. Her poem tells of the Marshall Islands inhabitants, a “proud people toasted dark brown”, and a constellation of islands...

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Eyam, Shakespeare's Globe review - plague drama, dark and loose

The end-of-season contemporary writing slot at the Globe must be a proposal as full of promise for playwrights as it is perhaps intimidating. There’s the sheer scale of the space and the chance to write for a large cast; a historical subject seems...

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The Miseducation of Cameron Post review - learning the right way

This is Desiree Akhavan’s second film, following on from her rather ironically titled Appropriate Behaviour of 2014. That was a coming-out drama about a bisexual, Iranian-American woman, whose story closely reflected the director’s own – and Akhavan...

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