fri 14/08/2020

rap

AIM Awards 2020, SBTV review - a game attempt to rewire awards ceremonies

Music awards shows are a strange beast: part window display, part industry conference and part party. Especially if you don’t have Brit Awards or Mercury Prize budget to create a whizz-bang spectacle, the ceremonies can be an interminable pileup of...

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Album: The Streets - None of Us Are Getting Out of This Life Alive

Given the collaborator list on this album, it should be a bit of a mess. Brit punks IDLES, Aussie woozy pop auteur Tame Impala, pumping bassline house producer Chris Lorenzo turning his hand to drum’n’bass, as well as Ms Banks, Dapz On The Map,...

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Hamilton, Disney+ review - puts us all in the room where it happened

The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021. Instead, we get the early release on Disney+ of Miranda’s Hamilton – filmed, NT Live style,...

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Waves review - pulsating, rapturous, devastating

Trey Edward Shults’s extraordinary, music-driven third feature, set in a sparkling south Florida, stars a wonderful Kelvin Harrison Jr as 17-year-old Tyler, an African American high-school wrestler with bleached blond hair. Harrison was in Shults's...

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Albums of the Year 2019: Little Simz - GREY Area

In 2019, music kept its place as a vital means for expression and escapism in an increasingly troubled and troubling world. Happily, there were plenty of brilliant albums to get lost in over the course of the year. Sharon Van Etten’s Remind Me...

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Albums of the Year 2019: Terror Danjah - Invasion

This is a bittersweet recommendation to make. On the one hand, it is simply one of the mightiest electronic albums of the year, an exemplar of how grime continues to be a vital part of the British sound palette long after it was pushed aside as the...

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Little Simz, EartH review - bossing it

Little Simz exits through the ladies. It's telling, since her set at EartH is the capstone to a tour that, by her own admission, has left her rinsed, broken friendships, torn her away from her family and led her to question her career. And yet, as...

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CD: Freddie Gibbs & Madlib - Bandana

Don't let the presence of nerds' favourite Madlib on production duties fool you: this is a big bad bastard of a West Coast rap record. It's a cocaine-wholesaling, n-wording, gun-toting, dog-eat-dog-ing, murderous bastard of a rap record, in fact....

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CD: Lizzo - Cuz I Love You

Cuz I Love You starts with a big, bold, black-and-white soul moment, an album title hauled from the heavens via the lungs of an extraordinary pop star. It’s a stunning rush of feeling from Lizzo, the Minneapolis-based singer and rapper, alone in the...

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Drake, O2 Arena review - stadium hip-hop has a sincerity problem

Drake walked on water at times in his opening show at the O2 Arena. Sadly this was solely down to the impressive video projection that filled the giant screens beneath his feet. The 32-year-old Canadian rapper is one of the biggest-selling stars in...

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Albums of the Year 2018: Janelle Monáe - Dirty Computer

Janelle Monáe had already established herself as pop’s next great innovator with The ArchAndroid and Electric Ladyland, two albums full of earworms, high production and retro-futuristic lyrics. This all-too-brief musical career seemed in jeopardy...

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10 Questions for DJ / producer Rob Smith of Smith & Mighty

Rob Smith & Ray Mighty are truly the unsung heroes of British bass music. Coming out of the same cultural melting pot in Bristol that gave us Massive Attack, Tricky, Portishead and mega-producer Nellee Hooper, they looked to be among the city's...

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